Never for Nothing - CCM Record Reviews archive E
e:PRAISE WORSHIP : Noises from the Stable. (www.epraiseworship.com)
e:Praise Worship are a group of worship leaders and musicians based in Coventry, who love to worship God through music and song. Originally brought together as a band to play in various churches, the members began to write their own songs. In response to many requests, they have now recorded this CD of ten songs. The album sounds as if it was recorded live, as sound levels seem to fluctuate within each song. Also, at times, the individual vocals fight with each other for supremacy. I would have much preferred to see singers given more space, rather than throwing all the voices in together. Saying that, when e-Praise Worship get it right, they’re spot on, as with “Only One God, Give Me Oil, and the thoughtful So Hear Our Prayers.” Kim Hearn’s flute playing deserves a special mention, as it provides some sympathetic background to break up the rather clockwork guitar rhythms. There’s a happy sound to the praise song “Jesus Has Shown Us the Way”, while “You Gave Your Life” stands out as a good song in its own right. As well as those already mentioned, “A Prayer For You and Me” is another song that would easily fit into any service. The overall sound is a little rough and ready. But, see through it, and you have a nice assembly of news songs for the church. 6/10. (November 2016)
This CD has to win the award for the best-named CD of 2012 (even with 6 months to go). The band certainly have energy, and no doubt go down a storm on the live circuit. The guitars do the business: driving, riffing, distorting. The drums do their job, keeping it all running in the right direction. The vocals are fine, but occasionally slightly out of tune (mind you, so were the Beatles – which is probably the only time this band will get that comparison, unless it’s “Helter Skelter” or “Revolution”). They’re at their best when at their most full-on, as in the title track (I loved the chanted title). The more laid-back “Oh No” doesn’t really work for me. There’s a bit of Arctic Monkeys in their sound, but with edgier guitars. They describe themselves as post-hardcore rock, which I’d not argue with. The CD starts well and closes well (the ending of “These Thoughts of You” is very strong) but is a bit muddy in the middle. It’s a good debut, but I feel there is better to come from them. Best track: I Placed My Heart in a Sinking Ship. 6/10. Paul Ganney (September 2012)
EARTHSUIT : Kaleidoscope Superior. (ICC)
Do the names Limp Bizkit, Papa Roach or Red Hot Chilli Peppers
mean anything to you? If not, I suggest you leave this album well
alone. However, if they're your type of music, I suggest you check
this album out. It's not a clone of the above bands by any means,
having a great deal of originality. It has its melodic moments
("Said the Sun to the Shine", for example) but is generally
very energetic music in a nu metal sort of way, but (thankfully)
without the overly abrasive, hateful and self-destructive edges.
It even has some harmonies. There are a few vocal tricks that
bear more than a passing resemblance to late 70s Yes or Genesis
(sorry, lads), but the overall sound is very 21st Century.
One of the best albums I've heard this year, if not the best,
so visit your local CCM emporium and get them to play you the
first track. It won't disappoint.
9/10 Paul Ganney (October 2001)
EASTER PEOPLE : The Praise Album. (Kingsway : KMCD2060).
Right from the start, let me say that, this live praise &
worship album is one of the good ones. All too often, you're left
feeling that maybe you had to be at the event to appreciate everything,
but not on this occasion. The whole congregation are led by both
the Waves and Whitewings singing groups, and just what an impact
the voices make. A whole host of well known tunes are given new
life, including 'There's a Wind A Blowin', 'Quiet My Mind' and
'He Is Risen'. From as early as the second song 'My Jesus, My
Saviour', you are literally drawn into worship and praise of the
Lord. You actually feel as if you are with the congregation as
they bounce their way through 'I the Lord of Sea & Sky'. Quieter
numbers like 'Sing to the Lord' and 'Lord, You Have My Heart'
just leave you wanting more. A must for p&w fans. 8/10.
(August 1998)
EASTER PEOPLE : Kids 2000. (Kingsway : KMCD2282).
This is a CD you need to sit down and listen to, to enter into
the atmosphere of this event - special this year as we celebrate
the millennium. Ralph Ward and his band lead much of the worship,
accompanied by John Hardwick, Greg Leavers, Simon Parry, Claire
Morgans, and their respective bands. Geared towards children aged
approx 5-10 years, the album has been put together well, with
a good variety of quiet, reflective, and lively! Ralph Ward gives
some short talks with a clear gospel message and this is an added
bonus. My teenage daughter, Joanne, noticed a similarity in backing
music to that of chart sensations Five with "Raise Him Up",
and Steps with "Show Me the Light". My own favourites
were "Praising Jesus Everywhere", "Our Father",
and "Come On, Let's Celebrate".
This is a good children's CD with plenty of new songs and giving
a clear gospel message. 8/10. Pam Robinson. (September 2000)
ECHO : Bought Not Souled. (Plankton Records : PCDN167)
“Hailing from East London and Essex, ECHO are all Christians and as such love to worship God and they all also love to sing and play classic Motown and soul music. So to them, what could be a more natural musical combination than bringing the two together! There are some famous classic soul songs which, with a little lyrical re-visiting and modification, become wonderful beautiful songs of worship and truth.” So much for the press release, but what about the album? Does it all come together? Well, as an artist who has played cover songs myself, I can tell you now that a lot of hard work goes into recreating the original sound of each song. Echo do it superbly well, on the whole, praising God with songs that are known and loved by millions. The Emotions’ ‘Best of My Love’ and Jackie Wilson’s ‘Higher and Higher’ are two early highlights that you just can’t help joining in with. Marie Da Silva and Juliette Georges share the lead vocals, and one of them provides some really sweet sounds on Aretha Franklin’s ‘Say a Little Prayer’. The vocals really soar on ‘Rescue Me’, where the main lyric is “Come on Jesus, and rescue me”. Absolutely fantastic! Other songs, given the Echo treatment, include ‘Reach Out, I’ll Be There’, ‘Something Inside So Strong’ and the party favourite ‘We Are Family’. Okay, so the album may be full of cover songs, but I guarantee that you’ll be singing along, and praising God, in no time at all. 9/10. (March 2014)
ECHO : You’re All I Need to Get By. (Plankton Records : Plancd015)
Originally a hit for Marvin Gaye and Tammi Terrell, this EP release from UK soul outfit, Echo, features both studio and liver versions of this well known song. The studio recording shows off those great vocals that this band have become renowned for, over the last twelve months or so. Even the live version is almost as tight, as the band play with the confidence of seasoned professionals. The third track was recorded live, earlier this year. This shows that the band putting their own twist and style to the church standard “Everlasting God”. It’s a good version, and I can see it going down well during their concerts. This EP continues where their album “Bought Not Souled” left off, showing that God and soul music really work. 7/10. (September 2015)
ECHO : Soul Proprietor. (Plankton Records : PCDN173)
Following on from their successful debut release of 2014, the East London and Essex based soul band are back with 14 brand new soul and Motown tracks. With producer/musician/arranger Richard Cottle employed to polish their own arrangements, Echo have produced another cultured album. The first, two tracks are really infectious. “This Will Be” and “This is It” are great to dance around your house to, and have a distinct sound of joy. Everyone will recognise “People Get Ready,” and this version is excellent. Marie Da Silva’s vocals are note perfect. Some of the lesser known songs took me a few listens to get used to. “I Got The Blues” and “Ain’t Nobody” being two of them. Echo give distinct new arrangement to the classic Love Affair song “Everlasting Love”, while “I Get the Sweetest Feeling” stands head and shoulders as the best track on the album. Instrumentally, there’s some nice guitar work on “No Pain, No Gain” but I would, personally, liked to have head more throughout the recording. Other notable songs include “Know Where to Run” and the catchy “Do I Love You?” My least favourite track has to be the closing “What’s Going On.” Da Silva duets with Richard Cope on a song about persecuted Christians, co-written by Marvin Gaye. The song is not particularly good, but it trickles to an end as audio news reports are played over a saxophone solo. There’s plenty of highlights with this release but I’m sure that there’s more to come from this group of talented musicians. 8/10. (October 2017)
ECHOING ANGELS : You Alone. (INO : 40092)
This 5 piece indie rock band from Atlanta, Georgia, release their debut album which lends more than a passing nod to Third Day. The lead vocals are very similar in style and that was quite apparent from the opening track called "I Will". The title track is an epic ballad about worshipping God alone, and it stands out as the best cut. The more I listened to the rest of the album, however, the more I thought, "I've heard it all before". Yes, this collection of songs sounds just like a hundred others that I've reviewed in a similar genre. "Hallelujah" is quite a moving song but how I longed for just something a little different, to stand out from the norm. I, personally, want to be excited by Jesus music, but this album didn't make the mark. Closing the listing is an acoustic track called "Move Me". Again, it's the obligatory rock band's cliché to show a lighter side to the band, and it's all very bland indeed. 3/10 (July 2007)
THE ECHOING GREEN : Supernova (Red Hill Records :RHCD 2155)
Geoff said he'd send me something different this month, and he
certainly has! This lot hail from the US of A, and if the dance
scene is your thing, it's worth a good listen. I say 'dance scene'
but that's a gross generalisation - what struck me about this
album was the diversity. Although there are programmed drum sequences,
excellently produced, running throughout, the content of the tracks
varies considerably. The title track reminded me of early 90s
dance, with an element of Depeche Mode creeping in, but this changes
to a much heavier sound in 'Defender', and then again to a dance
type ballad in the final cut, 'Nightfall & Splendor'. Incidentally,
I thought this to be the best track on the album, with a good
lyrical style and vocals. Other tracks to grab my attention were
'Waterfall' and 'December'. Overall this is good, well produced
material with a lyric style that is not too blatant but sets the
brain ticking over. I just wish they would use Chrissy Franklin's
vocals a little more next time, as I feel the tracks she fronts
are the better ones. Having said that, Joey Belville's vocals
are pretty good too, apart from perhaps 'She's Gone Tragic' which
didn't seem quite to cut the mustard. But, all in all, a polished
production and definitely worth checking out if you're tastes
are more towards the dance end of the spectrum. 8/10 Julie
Lord. (March 2001)
With over twenty albums to his name and his previous two singles reaching number 1 on the UK iTunes Christian chart, here we have the latest full-lengther from Philadelphia-based Eddy Mann. With Eddy “compelled to compose, record, and perform to offer a smile, a ray of light, or simply a moment of solace to those in need" and described as “an award winning and prolific singer-songwriter” and “a smile for the soul”, this self-written, recorded and produced album kicks off with the folk-pop track ‘The humble cottage by the sea’. Released as the first single, this is described as an imagined “peek into Peter’s house, a shelter that was no doubt a rather poor fisherman’s hut of sorts, but the Lord of Glory entered it no less and worked a miracle” – a reminder that “Jesus is wandering around your room right now”. Reviews of Eddy’s previous albums have described them as “folk blues with swag” and “sophisticated, wistful, and reflective”, and as this release unfolds it is evident that the same descriptions can be applied here. A newcomer to Eddy’s work, I would describe the songs here as lyrically sophisticated, largely with an evident musical immediacy yet at the same time satisfyingly deep. All are presented with great sound quality, and with almost all words clearly heard. The smooth pop ‘Just like Jesus’ encourages us to emulate others as we see Jesus living in them. The medium paced blues rock ‘A red thread’ describes us as God’s unique creations. ‘Child, can you spare some time’ is God the creator asking if we can spare even a little time to acknowledge Him (“just a moment, just a moment”). The heavier closer ‘Hush’(“hush on seven”) reminds us that we should follow God’s example in resting on the seventh day. Standouts? The previously mentioned ‘A red thread’ has to be up there. Negatives? Strangely, there were no gaps between tracks when I streamed via Spotify or Tidal, with some ‘fade outs’ suddenly chopped off. Also, I feel the sparsely stomping arrangement of ‘Did I ever’ is a disappointingly low point musically. This is otherwise a really enjoyable album however, delivered by an artist who has quite clearly honed his craft over the years. Those familiar with Eddy Mann’s work will of course already know this. For the rest of us, this is an excellent introduction to his world. 9/10. Dave Deeks. (August 2024)
EDEN'S BRIDGE : Celtic Worship 2. (StraightWay/Word : SSD 0200)
Recorded in West Yorkshire, England, I still find it strange that
it's an American company that is behind this band. Featuring the
likes of Sarah and Richard Lacey, David Bird, Jon Large, and Terl
Bryant, this is Eden's Bridge's 5th album, and 2nd in the Celtic
Worship series. It would be easy for me to say that these musicians
are an Iona clone collection, and there's a touch of truth when
listening to "I Will Change Your Name". However, it
soon becomes apparent that there's a lot more to these people
than that. Sarah's vocals are just as good as Joanne Hogg's but
the tones are a million miles apart. Pete Seegers 1962 classic
"Turn, Turn, Turn" has been recorded by many artists
over the years, and this version stands alongside the best of
them. If it's peaceful sounds you want, then try "Sarah's
Prayer" or the simply delicious instrumental "Seascape".
There's pipes, guitars, various keyboards, miscellaneous percussion,
and many odd sounding instruments on display throughout the album
and the overall sound is one of sheer bliss. Take "Who Can
Bind Your Heart". 6 minutes of priceless vocals, riding high
upon the waves of engrossing music. "Refiner's Fire"
is, perhaps, the best of the more traditional numbers, where the
tune remains the same but given the Eden's stamp. For Celtic fans,
and more, everywhere. 8/10. (June 1999)
EDEN'S BRIDGE : Isle of Tides. (from Jude Music Ltd, PO Box 253, Wakefield, West Yorkshire, England, WF1 3UD)
I'm not sure why it's taken two years for this album to wing it's
way through my letter box but, I guess, better late than never.
Lover's of celtic music still miss the sounds of Iona, but many
are still to find the joys of Eden's Bridge. It's impossible not
to compare the two as the musical content is so similar. Indeed,
Sarah Lacy's vocals are just as velvet to the touch as Joanne
Hogg's. On this album, there's 18 tracks in a typical celtic vein
that only lacks the odd uptempo number to add a little extra to
proceedings. Instruments are provided by the likes of Terl Bryant
and Simeon Wood who, along with their colleagues, bring out the
best in each song. Favourites for me include "Keep Me Sailing"
and "From Here, Today", but there's a whole host of
good songs to choose from. 8/10. (April 2004)
EDEN'S BRIDGE : The Celtic Worship Collection. (Straightway : EMID2701)
In this second 2 CD volume of worship songs, the listener is once more given the chance to hear songs delivered in a Celtic style. The first disc contains praise songs and includes the bright and empowering "Whole Earth", written by Richard & Sarah Lacey and David Bird. There's an intriguing ethereal version of "There is a Redeemer" which I found quite inspiring, before the gentle vocals and flowing pipes of "Son Of Man". Sarah may not get the plaudits of Mairre Brennan and Joanne Hogg, but I find her vocal quality just as soothing and warm. "Every Heart" is quite an epic, with a very full and well produced celtic sound. Disc two is sub-titled "Celtic Reflections on Hymns" and I particularly liked the way "Holy, Holy, Holy" builds up to a crescendo of praise. "Be Thou My Vision" and "Here is Love" are very thoughfully portrayed and the atomospheric version of "Amazing Grace" sits well amongst the rest of the tracks. The album, as a whole, works well and the content is really good. 8/10. (June 2006)
EDU NMZ : 3 Song Acoustic. (Thumperpunk Records)
Edu TMZ is the guitarist and vocalist of Sao Paolo, Brazil’s JCHC (Jesus Christ HardCore) band No More Zombies, and operator of music webzine and record label Cristo Suburbano. He’s recorded this 3-track 7” single as part of Thumperpunk’s “3 song acoustic” series. With only three tracks it’s hard not to review each one, so I’ll just do that. All three tracks have a feel of being recorded live: one microphone and away we go. As such it’s a little rough at times. “Where Do I Go” has a good rhythm to it, with a slightly spoken verse and sung chorus with a clear belief in Jesus’ ability to heal as he chants “Christ can make me walk again” repeatedly. “Make It Worth It” suffers a bit from a vocal line that isn’t always in tune. “Rasteira No Saci (English Version)” either has an overdubbed backing vocal or some friends have turned up to join in the fun and give thanks to God for what he has done. It’s OK but really only for fans, I feel, who may well have electric versions of these songs which these complement. Best track: Where Do I Go. 4/10. Paul Ganney. (May 2018)
EDWIN BROWN : Christ For Me. (Kingsway : KMCD2967)
This is Irish tenor Edwin Brown's debut album, and what a good one it is too. His background has seen him study music in Texas, sing with the popular Continental Singers, work in Christian Television & Radio, as well as leading worship at major evangelistic events. Oh yes, and if that's not enough he also turned down the opportunity to pursue a career in professional music theatre so that he could continue his worship ministry. I guess Edwin will be likened to Stuart Pendred, in style, but he does manage to make all the songs his own. He writes some of the songs too, and the opening 'Let Your mantle Cover Me' is one of his. Edwin's smooth vocals carry the song, where it ends in an instrumental, celtic style. Fanny Crosby's immortal 'All That I Am' is next, and Edwin breathes new life into this well loved song. I thought that his next highlight was on 'Just the Very Thought of Thee', another self penned number. His performance here is heartfelt, and full of worship. The tempo rises with 'It's the Power', but he's at his best on songs of grace and love like 'The Greatest Love' and the tender 'See the Lamb of God'. Edwin has certainly been blessed with a great voice, and this album should open many more doors for this talented musician. 9/10 (July 2009, Album of the Month)
Efua B is a singer-songwriter from London who started music in her home church at the young age of 9, where she later went on to become the leader of the church youth choir, ‘Chosen Generation.’ Currently serving as a worship leader, the purpose behind her music is to remind listeners of who Jesus is and what He has done, revealing Christ’s identity. The song starts off in medium tempo, with orchestral pads accompanying Efua’s vocals. I, instantly, liked the way the chorus came in. It took me by surprise, but in a good way. Lyrics include “Holy Spirit you’ve revealed the heart of Jesus; We’ll live for only Jesus.” As the song progressed, I found myself really enjoying the overall sound. Backing vocals are good, too. If you want an uplifting, new song of praise on your playlist, I highly recommend this one. 9/10. (August 2021)
EFUA B : Seasons Come. (The Oyo Group)
Efua B is a singer-songwriter from London who started music in her home church at the young age of 9, where she later went on to become the leader of the church youth choir, ‘Chosen Generation.’ I first came across her music a couple of years ago, when she released the excellent ‘Only Jesus’ single. ‘Seasons Come’ not only invites listeners to think about their relationship with God, but also encourages them to celebrate His love and grace amid life’s chaos. The first song is a pretty little number called ‘I Answered.’ Led by some nice guitar work, Efua’s voice is crisp and clean throughout. Similar guitar work is used in the next track, ‘I Belong.’ It’s a slow paced number, where Michael Oyo joins the singer on vocals. Simple string sounds fill out the production quite lovely, before Grace Tena also puts in a vocal performance. The title track is another strong cut, as Efua sings praise to Jesus. “Seasons come and seasons go; One thing will never change; Constant through the wind and rain; Jesus you remain the same.” It’s a very simply put together song, but has real quality about it, too. The last track on the EP is ‘My Soul Will Sing.’ This sees the tempo raised a little, and a fuller musical sound accompanying both Efua and guest singer Naje Bulsa. Only 4 tracks on show, but a really good release from this talented singer and songwriter. 8/10. (August 2023)
El’ Grace is a Nigerian gospel singer. She says; “The song is an expression of my heart to God, total submission to Him. I pray that God will touch everyone that listens.” The song is based around lyrics such as; “I give you my heart, I give my soul, I give you all of me, it belongs to you.” The singer’s vocals are sweet, backed by keyboards and string instruments. Mid-song, El’ Grace is joined by some nice backing singers. This gives her the chance to add some spontaneous worship, before returning to the main thrust of the song. Although, the lyrics are repeated several times, the song doesn’t become a bore. In fact, quite the opposite! The song is delightful, easy on the ear, and perfect for worship. 8/10. (June 2020)
Elation is a worship duo from Leicestershire, joined together by the huge passion of making music and spreading the good news of Jesus Christ. Together form less than a year, singer Ben Williams and guitarist Dan Harris wanted to unite their musical taste, various talents, and their burning desire to praise God to create their own individual stamp on worship. The CD is a six track offering, with Joe Gilliver adding his writing talents to that of Ben and Dan. 'Let My Worship' builds in power as the song progresses, and Ben has a pleasing voice. A lot of effort seems to have gone into the production of 'Your Sacrifice' but the distorted guitar is rather intrusive at times. 'Father God', on the other hand, provides some lovely acoustic guitar work, as the song calls upon God, who made all things. As a debut release, there's a bit of experimentation going on within the sounds produced but, on the whole, the Cd stands up well. 'As I Live and Breathe' is similar to the first track, as it too builds in strength, promising to serve and love with all your heart. There's almost a folk element to 'Greatest Story' before we're treated to a live version of 'Father God'. Yes, there are one or two warts in the overall concept but there's a lot of promise too and, if you buy the Cd, you're helping a good cause as well. 7/10 (October 2011)
ELECTRALYTE : Scratch Beneath the Surface. (Fierce! : FIERCD44)
Electralyte are a four piece British rock band who said to have "all Arctic Monkeys and Fratellis flair." They've toured with the likes of Delirious? and have played many of the major festivals, so they've got quite a good pedigree. Well, if I'd written this review after one play of the album, I wouldn't have been very impressed. If anything, I found them quite melancholy at times, nearing on The Verve sort of territory. But, after another play or two, I began to enjoy the songs, and could see exactly what the press release had said. 'Again Again' is a lively enough start but 'Where in the World' and 'Athens' is where the album really gets going. Both songs are written about relationships, and work well. 'Let's Get Married' is written about seeing Christian friends marrying and then separating. Perhaps without God's guidance, there wasn't enough to hold them together. Perhaps, the more I listen, the higher score this album will get, but for now, it's 7/10. (August 2008)
THE ELECTRICS : Danger Live… (ICC : ICCD39830)
It must be 8 or 9 years since I bought my first Electrics' album
and, boy, was I impressed. Since then, however, their recent releases
have all failed to live up to that excellent introduction. "Danger…"
was recorded live at the 1998 German Christmas Rock Night, and
features songs and tunes, old and new. The opening "Killiecrankie"
is not a death threat to those Scotish comedians, but the famous
Robbie Burns poem put to music. If you like a lot of jumping and
jigging, then there's plenty of reels to get you in the party
mood, "Berni's Wedding Jig" reminded me of those heady
Eden Burning gigs of the past, while "Piping Hot" is
more in the same vein. "Livin' It Up When I Die" and
"Visions & Dreams" are both well known favourites
and they obviously go down well with the live crowd. For the casual
CD listener, however, the album gets a bit samey after a while
and it's hard to know when one song stops and another starts.
Sammy Horner and the guys have been around for some time now,
but to really get the most out of this release, I think you had
to be there. 6/10. (April 2000)
ELEVATION KIDS : So Much Fun. (Elevation : ELE2052)
Compiled to help you and your children discover the Bible together, this 20 song album features many tracks in the style of today’s popular secular acts. For instance, Damien Herbert’s ‘Brand New Day’ is energetic, teen pop that sounds just like McBusted. It’s not a bad song, and I think that it has great appeal. It’s a pity that the same can’t be said of Doug Horley’s ‘Hi-5’. This time, the song is performed in rap style, that sounds rather dated. ‘Lean on the Lord’ comes over like a bad karaoke nightmare, before the truly awful ‘The Wiggly Waggly Song’ hits the speakers. I know that it’s aimed at the very young, but the backing music sounds like it was played on the cheapest set up ever. If this all sounds like I didn’t enjoy the album, that’s true. But, there were some highlights. Pete James’ ‘Talk to Jesus’ raises the musical standards ten fold, with a song that tells children to talk to Jesus, no matter what they are worried about. Similarly, the Owl City electronica style of ‘I Believe’ is a very good song for youngsters to affirm their faith in Jesus. Other songs that I’d like to forget include ‘God Can Do Anything’ were the song speeds up with each nauseating chorus, and ‘The Vegetable Song’. On the latter, the kids choir list many vegetables, and ends with the line “But I Don’t like Sprouts”. Again, the musical backing is third rate. There’s some cheap, tacky drum beats, and the worst attempt at a slide guitar sound that I’ve ever heard. Finally, just when I’d almost lost the will to live. Damien Herbert’s ‘You Need Not Fear’ raised my sagging spirits. It Gary Barlow was a Christian artist, this is the song that he would write. Melodic, a great tune, and some fine production work. Some of the tracks date back to more than twenty years ago. Sadly, they should have been left there. 4/10. (January 2015)
ELEVATION WORSHIP : Nothing Is Wasted. (Essential Records : 83061 6951-2)
This is a live worship album, although apparently there is a double CD version which has another disk featuring the same songs recorded in the studio. The live version sounds pretty much like any other American worship CD that you might come across, big production songs, and a congregation that cheers and claps in all the right places right on cue. I wasn’t familiar with any of the songs on this album, which at least means someone has gone to the trouble to write some new songs, and that in itself is quite refreshing considering most of the competition on offer. I didn’t think that any of the songs featured were particularly outstanding, and on the first few tracks the snare drum seems a bit loud in the mix. There is a point where someone speaks for a couple of minutes, which is somewhat “cringeworthy” but the American market seems to go for that kind of thing. To sum up then, I wouldn’t choose this CD in particular over any other, there’s nothing particularly wrong with it. It’s just no better or worse than all the other CD’s in this particular genre. 5/10 Andy Sayner. (July 2013)
ELEVATION WORSHIP : There is a Cloud. (Elevation Worship Records : 6 47946 99984 7)
This is North Carolina's Elevation Worship’s tenth full-length release, and was recorded live at Elevation Ballantyne. Elevation Worship has become an influential voice in churches around the world with CCLI charting songs such as “Only King Forever,” “Give Me Faith,” and “Unstoppable God.” This record follows the chart-topping 2016 release Here As In Heaven, and looks set to follow in its popularity. It’s full of big production numbers, with those gathered in the audience lapping up each song of worship. The make-up of a lot of the songs is very much in the mould of Hillsong. To that end, although there’s nothing wrong with those songs, I did think that some of them sounded very much alike. Exceptions to those come in the album’s “purple patch,” with “Uncontainable Love,” “None” and “Grateful.” Sadly, there are no vocal credits given, but the female voice on the former is simply divine. The song is shorter than most, but that doesn’t take away anything from the quality. “Nothing can change your love; it’s uncontainable.” It’s simply wonderful. Of the other songs, “Do It Again” lasts far too long, and its 3 minute reprise is definitely something that I could have done without. With the driving force of Mack Brock now removed from the Elevation Worship line up, it will be interesting to see how the team progress. 8/10. (August 2017)
ELEVATION WORSHIP : Hallelujah Here Below. (Provident/Sbme)
Recorded live at the Elevation Church in Balantyne, Charlotte, North Carolina, this is the latest offering from the musicians of this mega-church. As I opened the CD package, it did cross my mind that this might be “just another” collection of songs that sound exactly the same as we’ve been treated to, over the last few years. Sadly, my fears were right. There are 14 tracks on this release, and most of them stick to the aforementioned recipe. Part of that problem here could be due to the fact that Steven Furtick and Chris Brown have writing credits on all of the songs. Therefore, there’s little variation in style. However, with co-writing credits given to Israel Houghton, “Echo” has a snappy, pop feel to it, and really stands out. The best song by a mile, has to be “Greater Than Your Love.” Again, rather than just Furtick and Brown, writing credits are also given to Mack Brock. Celebrating the greatness of God’s love, it’s an excellent song with a glorious chorus. Why couldn’t they produce more songs like this? Instead, the listener is put through meandering songs that spend half their time repeating one or two words, supposedly focussing on worship. It’s time that some of these mega-churches came up with some fresh ideas. And, for me, the sooner the better. 3/10. (April 2019)
ELEVATION WORSHIP : At Midnight. (Elevation Worship Records)
Recorded live at the Elevation Church, the songs on At Midnight tell a timeless message: God is in control even when we aren’t. Pounding drums and chants begin the first song, “Gone.” From there, keyboard sounds fill the air, as the crowd join in to sing “Now my sin is gone,” as a mighty declaration of what the blood of Jesus has done for us. “It is So” is a slower number, with a female vocalist leading the worship. Following on, comes “See a Victory” – a reminder that God will fight our battles if we invite Him in. Rather off-putting is the occasional laughter by the vocalist, in a similar way that Kim Walker-Smith did, a few years ago. And, with that in mind, I felt that I was listening to just “another” contemporary worship album. I’m sorry, but songs like these just seem to be churned out without much originality. Sadly, neither “Love Won’t Give Up” or the closing (10 minute) “With You” failed to change my view. 5/10. (November 2019)
ELEVATION WORSHIP : Graves into Gardens. (Elevation Worship Records)
Here we have the latest release from Elevation Worship. I’m sorry if I sound like a broken record but, I am getting rather tired of these mega church albums that sound so much alike. And, if that’s not bad enough, we’ve even got singers who sound the same too! At first , we found female vocalists copying the delivery of Darlene Zschech. Now, they all want to sound like Kim Walker-Smith. On the ten minute epic, that is, “Available,” I had to check that Kim wasn’t mentioned in the credits. A little out of the ordinary was the opening song, “Rattle.” Based around “Dry bones rattling,” the overall sound is typical gunge. “My Testimony” is another lengthy song, while the title track simply plods along, as it praises the Lord. The highlight, for me, comes mid-album with “Never Lost.” Why? Because, it is a performance song, sung brilliantly by the talented Tauren Wells. I thought that “Have My Heart” started off well. Unfortunately, it soon became obvious that this was one of those “had to be there” spontaneous worship times. While I’ll admit that there’s nothing wrong with the lyrics and basic structure of each song, I would really like to hear something that would really excite me, as a worshipper. Is that asking too much? Of this release, think Jesus Culture. Think, Bethel Music. Think Passion. I think you’ll get my drift. 6/10. (July 2020)
ELEVATION WORSHIP : Lion. (Elevation worship Records)
This is highly-anticipated 15-track collection from Elevation Worship which blends high-energy power anthems with stripped-down quieter moments, unconventionally mixing studio selections and live recordings. Quite surprisingly, its one of those quieter tracks that opens the album. ‘Bye Bye Babylon’ is a mediational number, with acoustic guitars and a number of sound effects accompanying the vocals. There’s a number of guest appearances on the album, and it’s Chris Brown who features on the uptempo live recoding ‘What I See.’ After a rather tepid couple of songs, Brown is joined by Brandon Lake on the anthemic title track. This was certainly more to my liking. The rather ‘off the wall’ acoustic song, ‘Dancing,’ has Joe L Branes and Tiffany Hudson sharing the vocals. It’s a very different sound and that helps to make it stand out as one of the best tracks on this album. Then, we get into a section of songs that, although not bad, sound exactly like so many Hillsong and Bethel numbers that have gone before. Coming in at more than 10 minutes is ‘No One,’ with Chandler Moore leading the praise. Recorded live, it has a joyful feel about it, until it peters out towards the end. As a whole, the album rarely brings anything fresh to the listener. As I mentioned earlier, most songs follow a familiar contemporary pattern in their make-up. It doesn’t make them bad songs, but I do find them rather tiring to listen to. 6/10. (April 2022)
ELEVATION WORSHIP & MAVERICK CITY : Old Church Basement. (Provident Label Group)
The latest of many albums released by North Carolina-based Elevation Worship, this thirteen tracker is the result of a collaboration with Atlanta-based Maverick City Music which the press release describes as “a live recording in January this year following months of writing together”. It goes on to highlight “‘Jireh', a song led by Chandler Moore and Naomi Raine that has become a new staple during worship at Elevation Church” with “other standout tracks” including 'Talking To Jesus,' featuring Brandon Lake, and 'Million Little Miracles' featuring Joe L Barnes”. As a bit of a vinyl collector, I was interested to note that a number of Elevation Worship's recordings have been released in this format and command prices of £50-£100 on Discogs! So, what do we have here? Excellently produced pop soul gospel, well delivered by a range of great vocalists, capable band and gospel choir, that's what. Featuring overtly Christian-faith-based lyrics, there are some well written songs here. Whilst I agree that the aforementioned 'Jireh' is quite a good song however, its two chord basis continues for almost 10 minutes and this typifies my main criticism of the album. The only track shorter than 6 mins is the reprise of 'Wait on You', which itself has just run for over 9 mins. This complaint aside, my standouts are the opener 'Old church basement' telling the story of a youth mission and the particularly powerful 'Shall not want' (Will You be my light when I cannot see?”) with especially strong lead vocals by Chandler Moore and great key changes as it builds, coming nearest to justifying its length. The rousing 'Build Your church' (“the gates of hell will not prevail”) proves well chosen as a closer. To my ears however, thirteen potentially 3-4 min tracks stretched to last more than an-hour-and-a-half is just too much. 7/10. Dave Deeks (July 2021)
ELEVATION WORSHIP : Can You Imagine? (Elevation Worship Records)
What would happen if we began to believe that God could do the miraculous through us? Can you imagine what might happen? These are the questions GRAMMY® Award-winning collective Elevation Worship asks on their anticipated 15th career project, Can You Imagine? With these eight new live songs, they are poised to reignite the hearts of believers. That’s enough of the press release, and on with the review. Chris Brown leads the praise on ‘Jehovah,’ which is, as you would expect, a contemporary sounding song in the style that has become synonymous with Elevation Worship. Although there are only 8 tracks, the overall running time is just under 60 minutes. “More Than Able” is a powerful anthem led by Chandler Moore and Tiffany Hudson, lasting for almost 10 minutes, which for the listener (like me) at home is far too long. The song really would have been more effective as a shorter version. Happily, the same can’t be sad of ‘No Body’ featuring Jonsal Barrientes. The song has such a thrust as those gathered join the singer to declare the victory of Lion Who Roars. Now, this was one song that really did speak to me! Tiffany Hudson returns for the quite beautiful ‘Been So Good,’ while there’s a bit of a Rend Collective hoe-down for the closing ‘Praise.’ It’s an album that will mean most to those who were at the live event. But, there should still be enough song quality for others to give a listen. 7/10. (July 2023)
ELEVATION WORSHIP : Echo the Angels. (Elevation Worship Records)
This is Elevation Worship’s first Christmas release, and features ten tracks. Of ‘Hark the Herald Angels Sing’ Chris Brown says this about the recording; “When the angel appeared to the shepherds in the field to tell them that the Saviour had been born, then was joined by other angels singing and worshipping, it must’ve been an incredible sight and moment. I wanted to have a song that captured that triumphant, grand announcement and appearance when heaven opened to celebrate Christ’s birth.” After some strong percussion accompaniment, the song ends rather softly. Tiffany Hudson takes the lead vocals on ‘Breath of Heaven (All of a Sudden). Accordingly, she sings with rather a breathy delivery over some ambient instrumentation. As I look at my notes, after listening to the album for the second time, it’s hard to pick out a highlight. Perhaps Jenna Barrientes’ work on ‘Here Comes Heaven’ is the nearest. At times, through the ethereal sound, I did think that it sounded like the echo of angels. ‘Joy!’ gets a very modern sounding treatment, while ‘Worthy and Wonderful’ just gets a bit repetitive, after an initial good start. Other songs include ‘Joyful, Joyful We Adore Thee’ and ‘Welcome to Our World.’ The former features Isaiah Templeton singing tenderly over some distant sounding organ pads, while the latter has the equally gentle vocals of Chris Brown. Overall, I just felt the album was lacking a few sparks to set it apart from being “just another Christmas album.” 5/10. (December 2023)
11th HOUR : That’s Who He Is. (Sonlite Records)
11th Hour has had multiple Top 10 Singing News hits and been nominated for numerous awards in Southern Gospel music such as Singing News Trio of the Year and AGM Album of the Year, while group member Amber Eppinette Saunders was nominated for Soprano of the Year. This new album features 11 new tracks, beginning with the powerful diity called ‘Rock Bottom.’ The premise being that when you feel you’ve reached rock bottom, there’s Jesus the rock sustaining us all. As you would expect, the trio’s vocals are first class, especially when they harmonize, as on ‘Long Time Coming.’ Taking the male lead on the prayerful ‘Dear Heavenly Father’ is Garrett Saunders, with Victoria Bowlin joining Amber for the backing. There’s blues feel to ‘You Can’t Tell Me That Ain’t God’ before it suddenly bursts in life in a Dixie Chicks sort of way. ‘Still Faithful’ is a celebration of God’s never ending faithfulness. It’s a lovely ballad, with strong vocals from the group. I found ‘Only You Lord, Only You’ to be a little grating on the ears, but that was the only track that I didn’t enjoy. Ending with the glorious ‘He Will Hold Me Fast,’ 11th Hour produce another quality release. 8/10. (June 2024)
Elijah’s Tree are Oxford based duo David Scott and Jeremy Young. This debut 8 track release sees them make plenty of moves when it comes to musical styles. Opening with the acoustic rock of the title track, there’s some striking guitar work on show. “The Fourth Man” had me scratching my head for a while as to the nature of the lyrics. Jeremy says; “It’s based on the story of Daniel. So the fourth man in question is the man Nebuchadnezzar saw with Daniel's friends when they were thrown into the furnace. I know it's not certain who that fourth man is, but we're interpreting it as Jesus, or at least as a representation of the presence of God. So essentially it's about trusting in the God who is present with you even in the most testing of trials.” The song itself sounds very much like an 80’s Depeche Mode track, while the following “Misdirection” brings Ska back to life. My only complaint here is that the trumpet sounds could have done with strengthening. Otherwise, musically, the sound is very good, and there’s more than a passing nod to The Kooks and Noah & the Whale on “Slow Down.”. The whistling hook certainly goes down well. Chugging guitars and nice harmonies greet “The River”, whilst “Hiding Place” is bound to get your toes tapping. Possibly, the weakest song is left until last. It’s a pedestrian paced number and the Jeremy’s vocals don’t seem to be as crisp as earlier tracks. It’s a very experimental album, with so many differing styles on display, but it shows that David & Jeremy have plenty of ideas and promise for the future. 7/10. (March 2016)
ELIJAH OYELADE : Songs of the Spirit – Live. (Yeshua World Records)
Psalmist and Pastor, Elijah, is based in Abuja, Nigeria. This is his latest recording and features 18 tracks, which total running time of two hours, and twenty-two minutes! The music is pure gospel, and begins with the worshipful ‘The Place of His Feet.’ The backing singers (choir) are first class, and a provide excellent support to Elijah’s lead vocals. Of course, in true gospel style, the singer often ad-libs over the backing. On ‘Thank You Jesus’ this works really well. Many of the tracks last for nearly ten minutes or more, but they don’t become a drag. There’s a real feeling of praise & worship that emanates from many of the songs here. The musical instruments sit well in the production, and the overall sound is very pleasing to the ear. An early favourite for me was the touching ‘My Father & My Friend.’ Things go up a notch with the epic sounding ‘Adonai.’ For me, it sounds like a film score. And, a terrific one at that! In all honesty, this album took me by surprise. I’d never come across Elijah’s music before and, now, I wonder why? The quality of this gospel album is very, very good. My only slight reservation came with the running time. I split my listening into three chunks and, perhaps, got the best out of the recording for me, personally. I’d certainly recommend this to those wanting music of this genre. 9/10. (February 2022)
ELIM SOUND : Fresh Mercy. (Kingsway : KWCD3231).
I was not sure what to expect when I first got my hands on this, in fact I'll admit that my first thoughts were that this would be another addition to the never ending stream of ever recycling worship songs that we've all heard a million times before. However I have to say that this has got to be one of the best worship albums I've heard for ages. All the eleven tracks are new ones, and all of them have an atmosphere of genuine worship taking place. Listening to this CD I got the feeling that a lot of thought has gone into the arrangements of the
instruments and vocals, there are some nice choral backing vocals spread throughout, and there are a lot of synth lines scattered across the tracks, which genuinely do embellish the music nicely. The music itself is pop/rock worship, but nothing too heavy. "Fill us Holy Spirit" and "Let the fire
fall" were the standout songs for me personally, but there wasn't a song on this CD that I didn't like. This CD is like a breath of fresh air compared to most of the worship CD's that I've listened to recently, there should be more bands doing new materiel like this, rather than churning out the same
old same old. If you go to www.elimsound.co.uk you can listen to some samples from this album 10/10 Andy Sayner. (September 2011, Album of the Month)
To celebrate the 100 years of Elim ministry that began in Ireland in 1915, Elim Sound have recorded this new album featuring a variety of Elim worship leaders / artists. Here we have contemporary versions of primarily traditional hymns. Unlike many such attempts to bring familiar tunes up to date, the arrangements are largely sympathetically done and in the main very successful. 'Have thine own way' features a lovely vocal by Fiona Crow set against an attractive repeating piano riff and uses a technique common to several tracks i.e. the introduction of heavy drums part-way through to build to an effective climax. 'Breathe on me breath of God' is similarly strong, with Suzanne Hanna on lead vocals. The standout track on the album for me is probably 'I stand amazed', featuring Tim Sanders - a really excellent arrangement, well delivered and produced with the repeating chorus 'how marvellous, how wonderful' running round my head for ages after I heard it. The main downside here however is that a significant number of the tracks suffer from poor sound - the opener 'I will give thanks' is typical in dissolving into awful distortion and compression as soon as the track gets 'busy'. I really despair of this sort of thing as I feel that much of the effort put in by writers, arrangers and performers is squandered at the 'finish line'. I found this release difficult to listen to at times for this reason, so frustratedly cannot award more than an overall 6/10. Dave Deeks (May 2015)
Elim’s theme for 2018 is ‘One movement - One mission’. This inspired the title track of their forthcoming album and first single which features Sam Blake and Helen Yousaf. As the Elim family is growing worldwide Elim are positioning ourselves to look outward beyond the shores of the UK. With the belief that we are one church who worship one God and there is blessing in our unity. With all that in mind, the song itself is a medium paced number that focuses on the Trinity. Both vocalists are spot on with their delivery, which begins with a rather refrained sound. But, all that changes with a glorious chorus; One hope, one faith, One joy and one salvation, One Christ, One Cross, One death and resurrection. In fact, it’s one of those songs that actually gave me Goosebumps, listening to it. If this is just a sample of what to expect from the album, then, I can’t wait to hear it. 10/10. (March 2018)
Following on from last month’s single release of the glorious title track, this is the brand new album from Elim Sound. There are fifteen tracks, consisting of both congregational and standalone, contemporary praise and worship. Several vocalists are featured and this helps to vary the overall sound. Whatever lies ahead, “We Say Yes” and follow Jesus. It’s a lively number, and is followed by the guitar led “He Is” – Saviour of the broken and the lost. On “Be Moved” Suzanne Hanna gives a gentle vocal delivery, until she’s joined, mid-song, by a myriad of voices in worship. Mid-album is the real “purple patch” of recordings, for me. Ian Yates delivers his customary, excellent vocals on “Still God,” while Nathan Jess leads on the superb “When I Am Lost.” And, just as I thought things couldn’t get better, along comes “Grace Will Lead Us.” “We thank you for your grace. Lost in wonder, love and praise. We thank you.” Sung by Fiona Crow, this was my highpoint of the track listing. Beautiful vocals, and a song that oozes the power of worship. I thought that the only downside was the dance orientated “New.” Somehow, it just seemed out of place, compared with the other songs. A couple of ballads should get a mention here. Stephen Gibson shows promise on “Crucified,” while Shell Perris smoothly sings “Journey Back to Love.” In all, a super album, and one that should fly the flag for Elim’s theme for the current year: One Movement – One Mission. 10/10. (April 2018, Album of the Month)
The second family worship album from Elim Sound features ten original songs for the whole family to enjoy in the car, on a Sunday morning or in Kids Church. ‘NEW’ contains five brand new songs written for the project, three drawn from the wider Elim family and two from the Elim Sound album, ‘ONE.’ This multicultural, all-age project brings together a current pop-vibe with Scripture verses, bible characters and strong Christian truths. For me, maybe I’m not up to date with that current pop-vibe. Not that I disliked the songs, but I did feel that several of them sounded like 80’s electro music. The title track asks Jesus to “breathe one us, make us new, more like you.” It’s a good song that has definitely grown on me since I first heard it. I especially liked the Avicii-style chorus on “Be Praised,” while I wasn’t so keen on song, “Giant.” Impressive, was “Jesus Be the Leader.” Written and sung by son and mum, Reuben and Laura Rook from Portsmouth Elim, the song has a rather ambient feel that works really. Over the last couple of years, I’ve heard so many versions of “We Say Yes,” that I’m afraid nothing compares to the original. On this album, the production seemed a little “watered-down.” Hands up, I just don’t understand rap, and find it a complete turn-off. However, for those who do, 15 year old rapper, Walter Taylor from Cardiff, provides his vocals, mid-song, on both “Let Your Light Shine” and “Forever Friend.” My vote for the best song on the album has to be “Gift,” written and sung by ten year old Hiyab Gazae. A simple, pure vocal and just an unassuming acoustic guitar results in an excellent song of praise to God for blessing us with many gifts. Putting together an all-age album must be very difficult, but the Elim Sound Family has produced a very credible release. 8/10. (June 2019)
ELIM SOUND : Send Revival. (Elim Sound)
Send Revival’ was recorded live at the Elim Leader’s Summit 2019 in Harrogate, UK. This is the third live album recording from the Summit capturing passionate, beautiful and raw moments of worship. And, straight away, I’ve got to say how good the actual recording is. On many of the tracks, I felt like I was part of the collective worship. (Gold Star to the production team). “Be Praised” kicks things of with an energy filled beat – much in the style of their well-known song, “One.” The lyrics to both “Send Revival” and “You Are Steadfast” are very simple but I found the songs to be very powerful for the act of worship. “You Shine” is a guitar led praise song that reminded me of Delirious? at their best, while “Glorious Day” is such an engaging track. Basically, the song is giving thanks for Jesus calling your/our name. Listening, His love literally flowed out of my speakers. There are strong vocals all around, but the female voice on “Return of the Fortress” deserves a special mention. The recording also lets you hear the audience/congregation joining in with the songs. That, in itself, is wonderful, and one of the reasons why this album stands out from the crowd. All too often, these mega-church albums come over as performance orientated. Not, this one! Take, for instance, the closing “Living Hope.” The musicians, vocalists and those gathered sound as one, worshipping the Lord. If I had to find one negative point, it was the refrained version of “Be Praised.” It may have been spontaneous, but it stuck out like a sore thumb from everything else. That said, who am I to judge? 10/10. (November 2019, Record of the Month)
ELIM SOUND : Live at Spring Harvest. (Essential Christian)
According to the sleeve notes, Spring Harvest is “renowned for abandoned celebration, heartfelt worship and inspirational God encounters.” And, as many people will tell you, Elim Sound has been central to this in recent years. What has become the group’s signature song, “We Say Yes,” is the first on the track listing. Worship standards like “Who You Say I Am” and “What a Beautiful Name” are included, with the latter having always been special to me. Unfortunately, this version is spoilt by the lead vocalist screaming the words, late into the song. In fact, that performance really put me off listening to the rest of the album. So, a few days later, I returned to the album, totally avoiding the offending track. After an excellent performances of “One,” I was pleased to hear a new song (to me) called “Crucified.” Written by Ian Yates and Stephen Gibson, it tells of that morning on Calvary’s hill and our Lord’s crucifixion. A terrifically moving song of worship, it was soon my favourite on the album. Sadly, the last three songs seemed to pass me by, as being very ordinary. And, in summing up, I can’t see me reaching for this album again. 5/10. (December 2020)
ELIM SOUND : You Are Worthy. (Elim Sound)
You are Worthy, featuring Rebecca Sivalogan and Sam Blake, is the first song to be released from Elim sound’s newest project ‘God Is Still Moving’ (release date: 07/05/21). “You Are Worthy” is an upbeat, vertical, praise song that reminds us that when we praise God we join with the angels and all of creation declaring the truth that has been sung through all generations that God alone is worthy to be praised. Both vocalists sound great throughout the song, which has a feel of mega-church influence behind it. Saying that, the production here is far better! A lot of those big church songs seem to be sung to a sound that, sometimes, sounds as if it’s just noise. Here, the music is guitar led, and you can hear every instrument quite clearly. The song motors along nicely, and I can see it going down well at many live events, once re-opened. 8/10. (March 2021)
ELIM SOUND : God is Still Moving. (Elim Sound)
The latest offering from Elim Sound is released 7th May. 15 tracks recorded in the last year in various places. The sleeve notes make for interesting reading, about the selection process for the songs chosen. More than 40 Elim writers were invited onto the project, with over 60 songs been submitted. 25 of these songs were decided upon by a Core Team, before all the writers were asked to rate those remaining tracks. From there, the final 15 were chosen. There’s a lively start with the song “You are Worthy.” It’s a very full sounding track, as with many modern worship songs; ie: lots of reverb, guitar soloing behind the vocals. I think that it could be easily picked up, for congregations who choose to use it. “Wildfire,” as track 1, contains lots of guitar sounds, as well as a catchy tune and lyrics. I would imagine that this song is fun to actually play. I quite liked this album, so far, even if it is probably aimed at a younger generation to myself. This is a compilation of various musicians and worship leaders from within the Elim church movement and, consequently, a few different styles . “I Have a Saviour” is a more country influenced song, with great vocals and well-constructed. In my opinion, it’s a song that could be used by many people, leading worship within a service. I cannot quite put my finger on there being something about “Still Moving.” I love the vocals, the arrangement, and the changes within the song. However, the lyrics sound slightly apologetic, yet still declaring truths. I wonder if it was written out of a struggle and the need to be reminded of the truths? Don’t you just love a song that makes you think? “I Am Yours” is one of the slower songs, that builds nicely as it progresses. I enjoyed the piano taking the lead, musically, for the first time on the recordings. Not wishing to pass comment on each and every track, there are some performance songs included as opposed to songs for corporate worship. A few that stood out include “In the Tension, New Every Morning and There is a River.” Overall, this is an album of good songs, well produced and listenable. My only gripe was virtually every song started with some form of pad which I found a bit monotonous. 8/10. Noel Donaldson. (May 2021)
ELLE LIMEBEAR : Holding Me Still. (Reunion)
“Holding Me Still” is the brand-new debut single from Elle Limebear. It’s a fresh contemporary current sound with great production. Elle’s vocals are beautiful, powerful and strong. The lyrics “So when I call upon You, it's not in vain, everything changes, Jesus, You're still the name, holding me still, holding me still” are a call to this generation and to Elle’s friends, her message is “My hope is for my friends that don’t know Jesus to still identify with these songs,” It would be great for everyone who hears or reads about this song to add it to their playlists, Christian or not, when listening to the hope and truth of these words hope will be set free in people’s lives. Elle says a beautiful thing about her dad Martin Smith (Delirious) “Singing and leading worship with my dad is my favorite thing. I’ve watched and learned from him since I was a little girl - my whole life he has let me fly.” Even though Elle has a famous dad, she is an anointed worship leader in her own right and as she has been able to fly throughout her life, may the words of her debut single enable many others to find a spiritual freedom in themselves and fly in their own right to a place of inward peace. Jesus is “Holding Me Still”. Vivienne Neville 10/10 (March 2019, Album of the Month)
ELLER LIMEBEAR : Lost in Wonder. (Provident)
This is a very listenable album, with great vocals and well produced. The music is primarily aimed at the youth audience, clubs and movements, with trance and dance styles. I enjoyed this, although as an older person it wouldn't be the first I would look for on my playlist. But, I would stick with it and pull the structure apart to learn and appreciate the work involved (a musician thing!). I found the lyrics to be repetative at times but, on the other hand, there are 20 songs. (Great value for money if you bought it as a CD). Personally, my favourite track was “Lord You Have My Heart.” It’s a song I can relate to from my younger days and I prefer this version to her dad's (yes!). As the album went on, I liked it more and more, and I would actually quite like to add it to my aforementioned playlist. “Goodness (Eyes Wide Open)” is released as a single and I hope it gets plenty of airplay, as I think it particularly good. Overall, the album is very good, and you could easily fall in love with Elle’s voice! 9/10. (April 2020)
ELLIE HOLCOMB : Canyon. (Capitol CMG)
Nashville-based Ellie Holcomb is the daughter of well-known music producer Brown Bannister. I first discovered her a few years back after enjoying the music of her husband Drew and his band The Neighbors, with Ellie on backing vocals. With her first album 'As sure as the sun' on my Tidal favourites list since then, and second album 'Red sea road' as well as EPs and singles now under her belt, it was with interest that I looked forward to listening to this, her latest full-length, with 12 tracks of what turns out to be quality CCM. Things get off to a rousing start with 'I don't want to miss a thing' – an ode to the wonders of God's creation (“I've climbed up in a sycamore tree cos I don't want to miss a thing”). The title track is next (“There's a river running through my deepest pain … I'm a canyon”). As the album continues it is evident that Ellie has moved into a more pop-oriented musical direction than her country-tinged earlier output which no doubt arose from her work with husband Drew. What hasn't changed is her note-perfect and distinctive vocal delivery. 'Bridge' (“if you're searching for answers you cannot find, there's a Bridge to the other side”) has a hookey chorus that stays for days(!) – and the same can be said of my first standout 'Stronger' (“you are stronger than your fear”) with a particularly good melody and arrangement. As the music continues it is apparent that here we have an album of consistently well written songs, well arranged and delivered. On 'Sweet ever after' Ellie is joined by an excellent male vocalist – and again on 'Mine' (“I remember the first time you wrapped your tiny hand in mine”), this time the distinctive vocals of husband Drew as they celebrate one of their babies (which one? – they have three children!). This is somewhat toe-curling for me(!), and my low point. It is followed however by my other standout ‘I will carry you’ (“through the darkest night, when you're terrified”) and then the country-flavoured, with slide guitar, 'Gold'. The powerful 'Constellations' is a well-chosen closer. The overall (all-too-common) downside of this album is that over-compression of the sound robs it of its dynamics. Otherwise, 9/10. Dave Deeks (August 2021, Record of the Month)
ELLIE HOLCOM : All of My Days. (Capitol CMG)
All of My Days, is a beautiful collection of curated Psalms that have personally carried her through difficult times as well as played an encouraging role in the lives of her listeners through her “Memory Mondays” where she sings Scripture verses to songs each week. Songs on this release are backed by acoustic instruments, with the occasional strings and percussion added here and there. The title track is based on Psalm 23 which tells of dwelling in the house of the Lord, and giving thanks for His goodness and mercy. ‘Where Can I Go’ (Psalm 139) is a light song that swings gently along, with n engaging quality. Ellie’s vocals are crisp and clean throughout and, possibly at their best on ‘I Lift My Eyes (Psalm 121). It’s a reminder that the Lord watches over you day and night, wherever you may go. The tempo raises slightly on the folk influenced ‘My Heart is Steadfast’ (Psalm 108), where I found myself tapping my feet along to the rhythm. Finally, we get to ‘Thy Word’ (Psalm 119). It’s another delicate little song. Putting the meaning of the Psalms to music, Ellie has created a little gem of a release. My only disappointment was that there were only 7 tracks. 8/10. (May 2024)
THE ELMS : Truth, Soul, Rock & Roll. (Sparrow : SPD51978)
Billed as playing "straight ahead authentic rock & roll",
The Elms bring guitar music to the fore with this follow up to
their critically acclaimed debut. I never heard that one, but
this is a gem. With traits of Petra at their best on tracks like
"Speaking in Tongues" and "The First Day",
there's distinct cutting edge to their music. "Burn &
Shine" says "let's get out and tell the world about
God" instead of just thinking about it. It's another top
song and very radio friendly. Then, there's the jangly sound of
"Let Love In". It's a cross between the Byrds "Mr
Tambourine Man" and Big Tent Revival's "Letting Go",
but still contains it's own individuality. To be honest, there's
not a bad song on the album, it's just filled with terrific rock
& roll. That is, with the exception of the closing song. In
sorrow and despair, when all seems dark - there's a time to let
it go. "Smile at Life Again" is one of the most touching
songs I've ever heard. One of the releases of the year so far.
10/10 (April 2003, Album of the Month)
ELVIS PRESLEY : He Touched Me. (Alliance : 8443923) - Video
I've got to admit to being one of the few who didn't think much
of Elvis' music until long after his death. Since then, however,
I've become to appreciate the depth of the music, as well as the
phenomenon that was Elvis himself. This video charts his progress
from childhood attending an Assembly of God church with his parents
through to concerts by Southern Gospel Quartets like the Statesmen
and the Blackwood Brothers. There's plenty of interviews with
former members of these groups, as well as the legendary Jorannaires.
There are a couple of concert songs featured, like "american
Trilogy" and "How Great Thou Art", but others are
either used as backing music for the narrative, or from amatuer
film clips. There's some great stories included, like the time
Elvis prayed for one of the members of the backing group who had
just been diagnosed with a cancerous tumour. The next day, the
tumour had disappeared. To watch the full 90 minutes in one sitting
was a bit much, but I was still fascinated by it all. 8/10. (April 2000)
EMERY : Eve. (BC Music)
15 tracks in 42 minutes? I was sure I was in for a solid slice of punk rock, but no, instead I got some very succinct poppy power prog rock. Or I think I did – this band are very hard to pigeonhole, which is a good thing. It’s got the feel of power pop in places (think Wanted, 5 Seconds of Summer) but then throws in some prog-style vocal phrasing (Spock’s Beard sprang to mind) underpinned by some slightly off-kilter drumming and then it’s all heads down and screamed vocal, then back to pop prog (the anthemic “Safe” has some definite early Pink Floyd riffs in there and the guitar pattern on “Streets Of Gold” also – although the Simon and Garfunkel vocals made it fresh – and then they changed style again. Twice). An unusual mix, but one that I rather liked and you certainly can’t claim that it all sounds the same. Add in influences such as Artic Monkeys, Sum 41 and Third Day (let alone the harmony vocal work on “Shame”) and I think it’s fair to say that this is a band with a sound of their own and who are very happy to declare their faith in whatever style best suits the song. Other reviewers more familiar with the band’s work have commented that this is “more of the same”, whereas I (not being so familiar) found it refreshing compared to other albums around at the moment. Best track: Safe 7/10. Paul Ganney (February 2019)
Canadian, Emily Ballhouse shares vocals on this song with Jyoungsfl. In an RnB style reminiscent of Toni Braxton, the track revolves around lyrics such as the “born in a manger; Jesus the reason for the season; and, oh come let us adore Him. Vocally, there’s plenty of FX on Emily’s contribution, and I found it a little annoying. Overall though, it’s quite a catchy little ditty, that I can see younger folk enjoying and taking notice of. Emily is an active blogger and currently writing a book. She says; “As God continuously shows His love in my life, I will tell of it.” I trust that we will hear more from Emily in the future. 7/10. (December 2020)
EMMA GRANT : I Don’t Hate You. ()
Emma Grant is a singer/songwriter, based in Liverpool, and has been singing for as long as she can remember. After a taking time out to get married, start a family, and co-lead an Eden Team, she’s getting ready to release her new album, “Influencer.” This, first, single is a very pleasant listen, and reminded me, vocally, of another UK artist, Kat Mills. Of the song, Emma says; “I was inspired to write it as it doesn’t feel like we disagree well! People are often labelled as ‘this, that or the other’, just for simply disagreeing with someone. Granted, it is not always done very graciously or with love, so I wanted to make it clear that ‘I don’t hate you because we disagree!” Emma’s vocals sit nicely above the music, resulting in a crisp, clear sound, were the lyrics can be easily heard. (Brownie points to the production team). Overall then, this is a lovely song, and I can’t wait to hear the rest of the album. 8/10. (May 2020)
Liverpool’s Emma Grant releases her first album in a number of years, after taking a break from music to raise a family. This 10 track offering sees her make a few music moves, stylistically, and makes for a very interesting listen. Her recent single, “I Don’t Hate You,” is one of the best tracks on show, telling how it doesn’t feel like we disagree well! “Know You’re Loved” is the promise that no matter what you might be going through (good or bad), Jesus loves you. In the current Covid-19 situation, we seem to be constantly showered with news, but in recent times overall, fake news has become more prevalent. Emma says; “In an ideal world, you would be able to read an article and trust it was the truth you were reading, but sadly as we know, that's not the case.” The song “Fake News” kicks against believing everything you see and hear, making you fearful because of it. Not afraid to tackle emotive subjects Emma, then, looks at staying in an abusive relationship. Music-wise, she uses an, almost, ambient backing here, with her voice caressing each word. When I first heard Emma’s vocals, she reminded me of Kat Mills. However, hearing more this time, there’s a little leaning in both quality and style to Audrey Assad. “As I Am” is a song of praise, while the title track looks at how we treat our world. On the latter, I thought that the backing was rather “off-putting” towards the vocals, and I wasn’t really keen on the song at all. Of the other songs, the bluesy feel of “At Your Table” made a nice change, while I enjoyed the introduction of a violin to the piano led “What a World.” Emma certainly writes lyrics well, on various subjects, which is nice to see. I get a feeling that her songs would be ideally suited to small gatherings, where she could easily expand on the words being sung. So, after 10 years away from the music scene, Emma can be well pleased with her return. 8/10. (June 2020)
As far as I know, this is Liverpool based Emma’s first release since her 2020 ‘Influencer’ album, which scored a very good 8/10 from NFN. This is the first of three singles that she plans to release, prior to dropping an EP in August. "My personal experience of God has been in all of these ways", Emma explains. "Many times in my life I have sensed God’s whisper, “keep your eyes on Me”, which I have found to be such a comfort in overwhelming situations.” The song immediately bursts into life, with Emma’s strong voice singing “Walking on a tightrope; Wondering if I can hope; That I’m gonna make it; Or am I gonna fall.” From there, she hears God’s voice saying “Here’s my hand please hold it. Keep your eyes on me.” The tempo of the song in medium paced, with keyboard sounds providing much of the music. It’s a pleasant number that has simple lyrics, and I can see me listening to it again, once my review work is over. 7/10. (July 2022)
Here’s the new release from Liverpool-based Emma Grant who, like many, write of their own personal walk with God. Last month, I reviewed her single ‘Eyes on Me,’ and this song that kicks things off here. A simple message from God to us all; “Keep your eyes on me.” Of the following ‘No Fear’ Emma says; “Inspired during lock-down when there was so much division over vaccines (whether we should have them or not), Covid (whether it was a conspiracy or not) and generally a lot of fear mongering by the media. With the arguments on both sides feeling overwhelming, I decided that whatever I chose to do, it wouldn't be based on fear. I hope the song encourages others to do the same, no matter what the situation.” It’s a really interesting subject to put into song, and Emma does it really well. The sound is led some excellent keyboards, and it’s a great song. ‘Companion in Sorrow’ is a duet with Ian Yates. Written during a time when she wasn’t able to walk and in constant pain due to a slipped disc, Emma sings of her Lord being her companion and friend throughout. She goes on; “I want to point people to a God who is not distant in suffering, but who is a friend in the fire.” Emma explores healing prayers in ‘Be Healed,’ while ‘Coming Home’ focuses on our journey with Jesus, ending with eternal life with no sickness or disease. Bringing comfort to those who have lost loved ones, or to those who know they’re going to meet Him soon, it’s a sweet, uplifting song. The number also benefits from some well-produced piano sound, too. Overall, the EP is a lovely release that builds on the acclaim of Emma’s 2020 ‘Influencer’ album. 9/10. (August 2022)
EMILIE WEISS : Resonance. (Gospel Song Records/BEC Recordings)
First impressions are often reinforced with a great hook, and this is the case with Emilie’s album Resonance. Not, previously, being aware of her music, I wasn’t sure what to expect. What I got was a charming soft voice speaking of God over sequenced sounds, flowing through my headphones, without giving away what was to follow. After nearly a minute and a half of ‘Genesis,’ the band turn up and a semblance of normality appeared. It all comes together with some nice bits of orchestration/instrumental. Her voice does get a little lost in the mix at times, but is pulled back out really well and her harmonies and cross vocals fit naturally into place. ‘Living Water’ is inspiring. The piano, reflecting the waters, gentle trickles, with octave harmonies for lead vocals. It’s such a gentle release, the sound is almost hypnotic. ‘Here I’ll Wait,’ is a track which speaks of a desire to meet with God. That’s followed by ‘God Above.’ Here’s another full on soundscape with Emilie’s vocals softly singing, only for the soundscape to suddenly drop out on the final Amen. ‘Morning’ is another lush offering, with lots of pads over a fluctuating sound which leads the drums in for the chorus. This is a masterpiece of writing and arrangements, and is repeated throughout the album. Sometimes the message is held within the various pads and you almost miss it. ‘Careful’ is a diversion from the heavy pads. Here, there are multi-tracked guitars, muted, which still holds the character of the album. The nice strings compliment the harmonised vocals, and just when you think you have worked out the sounds, it fades to a single piano under her hauntingly refreshing vocals. Finally, we get to ‘Infinite God’ which reflects God’s presence when we sing, drawing near to us. It’s a good end, to a good album. I would think the more you listen, the more you will find depth, musically, lyrically and spiritually. Rather good! 10/10 Noel Donaldson. (October 2024)
The Encounter (DVD,PureFlix Entertainment, Dove Rated 12+)
The “party of travellers thrown together with a mysterious stranger” story is a well-trodden one, think ‘Identity’, ‘The Rocky Horror Show’ and countless others. The twist here is that the mysterious stranger claims to be Jesus ... yes, that one ...while the party of travellers is a classic movie combination of teenage girl fleeing abusive parents, bickering couple on the brink of divorce, millionaire ex-sports star turned businessman and devout Christian on the way to see her boyfriend. One by one, Jesus (played by Bruce Marchiano, who has now played Jesus on film no less than 6 times) draws out the backstories and deepest worries and desires of each of the party accompanied by deep spiritual and scriptural truths. From a Christian point of view it is hard not to feel moved, challenged and encouraged as bible verses and exposition almost fall over each other in their desire to be heard. However, as a movie there are some real issues: the pace is slow; the script doesn’t give the cast much to work with and characterisation is too one-dimensional for the group to be more than a collection of clichés. It is clearly a low-budget affair, set mostly in a 50s style diner, and there is an interesting game of “spot the continuity error” to be had. All that said, the cast do well with what they have, in particular ex-wrestler Steve Borden makes multi-millionaire businessman Nick as irritating and cynical as you expect him to be, and Jaci Velasquez convinces as vulnerable Christian Melissa. The stand-out performance though belongs to Marchiano who brings just the right combination of strength and compassion to his portrayal of Jesus. Overall it is a tough one to grade. It is enjoyable and thought-provoking in equal measure, but ultimately entirely predictable, although the same could be said of most big-budget blockbusters. For a Christian audience, or outreach tool, it is excellent, laden with solid scriptural teaching, but it is not a movie to curl up in front of with the family and a bucket of popcorn. 7/10 David Cooper. (June 2012)
Encounter Worship. Volume 1. FIERCD29
This CD is yet another compilation of all the worship songs that you already own several times over. The main difference about this one though, is that it is an album of cover versions rather than the original artists. You can however still predict most of the tracks, "How Great Is Our God, Famous One, In Christ alone", and of course no worship CD is complete without "My Jesus, My Saviour" To be fair most of the songs on here are ok in themselves, the arrangements are fairly basic, so if you wished to you could adapt them for playing live without too much trouble, but really I just wonder. What's the point? There's nothing here that I've not heard before, and the CD as a whole seems to lack any kind of spark. Why not be Radical, Write something new! There is actually a statement on the sleeve asking people to send in songs to be considered for future projects, presumably anything written in the last five years won't be considered. Go to www.encounterworship.info if you're interested. This is probably best described as Christian lift music. Personally I'd take the stairs. 5/10 Andy Sayner. (July 2007)
ENDLESS HIGHWAY : This is the Moment. (Sonlite Records)
Endless Highway comprise of the Griggs Family, who released the 2021 album ‘Come home’ which produced the chart hits “Every Valley Has A Promise” and “About The Business.” Kicking things off on this album is the triumphant title track, complete with a big orchestral introduction. Following up is the mid-tempo “I’ll Get Over It,” which benefits from some nice banjo playing in the background. ‘Not the Same’ is a typical, foot tappin,’ southern gospel number, while ‘Secret Place of Prayer’ is one of those slow moving, songs. Although vocals are perfect throughout, the harmonies on this one really did stand out. ‘What God Can Do’ is a nice pop/country track, but I found ‘I Am Loved’ to be just a bit too sugary for my liking. Closing the album is the group’s rendition of ‘In Christ Alone.’ A big, orchestral, production, the result shows, once more, great harmonies. Overall, I just had a feeling that the stand-out tracks were too few in number – the rest being quite ordinary. 6/10. (April 2023)
ENKAY OGBORUCHE : Sure Way. (Tehila Records)
‘Sure Way’ is an anthem that pays allegiance to JESUS as the only way, the truth and the life. Going into 2022, choosing to put Jesus at the forefront of every decision, choice, plan, action etc. is indeed the SURE WAY. The song is a bright and breezy, afro-pop ditty, that you can’t help but enjoy. The colourful, accompanying, music video really shows the joy that Enkay promotes through the lyrics. “Let me show your glory; let me show your grace; Let me walk in the light of your word; Let me sing with the voice of angels; Let me be like you Lord.” A very pleasing track. 8/10. (March 2022)
Speaking about the inspiration and motivation behind his 11-track album, Ephraim Chuks says, “this album is born from the depths of my gratitude to God for all that He has done for me and my household, and now I extend this heartfelt praise and worship as an offering to God to be a blessing to God’s kingdom and the world at large.” I couldn’t begin this review without commenting on the awful trumpet sound that can be found on the first song, ‘Hallelujah.’ It sounds like a wasp, caught in a jam-jar, and really distracted me from what Ephraim was singing. Thankfully, the following ‘Jehovah Reigns’ is much better, with a guitar led gospel sound. ‘Celebrate’ has an afrobeat rhythm and ‘Mega Blessings’ follows suit. Both song are simple, joyful, ditties. Indeed, this part of the album has got such a great feel of celebration, that I found myself enjoying the praise of other songs such as ‘Lift Him Higher; Oba; and ‘Faithful God.’ Even “Osolobue Daru” (delivered in the Niger Delta dialect) sounded so good! After that negative start to the album, I was pleasantly surprised by the rest of the album. Ephraim and his backing singers provide some real highlights here. 8/10. (March 2023)
ERIC CHAMPION : Natural. (Essential : CD70015).
Rarely does an album contain so many songs that really search,
deeply, about the important things in your life. 'Am I Lookin'
Good' kicks of with an indie/rock feel and homes in on the fact
that we spend so much time on our outward appearance that we forget
about the inside. 'God Only Knows' is very radio friendly but
'Hacker's Prayer' sounds morose and easily forgettable. Tired
of living life under your own steam? It's about time you really
gave yourself to Jesus, so says the ballad 'Giving Up' in a Bryan
Adams sort of way. There seems to be times on the album when Eric
gives carte' blanche to everyone to do their own thing, as two
or three different tunes appear at the same time. However, if
you're honestly ready to be challenged, buy the album and be prepared
to pray. 7/10. (August 1998)
Eric Kneifel is a passionate worship leader in Portland, OR. He's led worship for close to 20 years at several churches along the west coast and in Colorado. Eric’s mission is to encourage and inspire God’s people to worship Him in spirit and truth, both through music and by living daily for His glory. This new album contains 12 self-penned songs of praise and worship. Eric has a distinctive guitar sound, and it gives a bright opening to “I Will Rejoice,” a song that worships our Saviour. His duet with Gabrielle Marita on “This is Our God” is particularly pleasing on the ear. The song is one of many that is just perfect for collective worship. “Make me a vessel, fill me with passion for your cause,” are a few words from “Stir in My Heart.” Again, this melodic tune emphasises the real understanding that Eric has for producing a good congregational song, whilst also engaging the listener. In style, his songs are a cross between Steven Curtis-Chapman and Fernando Ortega, and his vocals are appealing. The title track sounds as if it should be a film score, as I felt it was a very powerful song. Eric’s guitar playing is carefully crafted to suit each track, but he also gives a glimpse of a rock influence on the solo piece within “At Your Feet.” Here, Gabrielle duets with Eric once more on and the voices supplement each other perfectly. “No Shadow” is an interesting album, full of finely chosen lyrics, weaved and put together by Eric, resulting in a lovely collection of songs. 9/10. (November 2016)
Portland, OR based worship leader, Eric Kneifel follows up his great 2016 album with this new song which is based on Acts 20:24: However, I consider my life worth nothing to me; my only aim is to finish the race and complete the task the Lord Jesus has given me—the task of testifying to the good news of God’s grace. The track itself is one of worship, in which Eric asks Jesus to “Lead me in your ways,” and to “Guide me in your perfect truth.” Backing music is kept to a minimum for the opening verse, leaving Eric’s vocals to be clear and crisp. As the chorus begins, Eric is joined by the voice of Lindsey Linn, who then solo’s on the next verse. The overall sound is fresh and vibrant, and makes for a lovely song of worship. 9/10. (December 2018)
Every now and then an artist comes along bringing something new to CCM. On the strength of this ten track release, in some ways Eric Lee Brumley is a great example. Rather than 'new' however, in Eric's case I should strictly use the word 'different' as he harks back to a very much earlier music scene. "Raised on old time delta blues, gospel, and soul" and becoming a Christian at the tender age of five, he began writing songs at twelve but by his teens was heading for a life of drug taking, theft and prison. Acording to the press info, "his musical influences and incredible vocal talent mixed with his story of redemption and recovery from hard drugs, makes for a powerful debut album". Released by Old Bear Records, the company has also released a mini-documentary on the making of the album. Whilst all the tracks were evidently recorded in the same studio, the recorded acoustic varies quite a bit - sometimes sounding quite low budget and 'live', on other occasions presenting a contemporary, clean and overall good quality sound, whilst 'Wolf in sheep's clothes' sounds like it's been re-mastered from an old 78! Whilst perhaps a deliberate ploy to emphasise the authentic nature of Eric's sound, I nevertheless found the level of vocal reverb to be excessive on some tracks - particularly the closer. He certainly has a powerful set of pipes however, equally able to deliver rockers and 'blues/gospel rock ballads', his musical influences being obvious. The stripped-back instrumentation heavily features tightly delivered organ, drums and bass, sometimes replacing organ with piano, and often featuring effective 'black gospel' backing vocals. 'Train up your child' is a great gospel rock blues track and probably the strongest. Other standouts for me include the ballads 'Open my eyes', 'How can I not', and the upbeat title track. On this evidence, Eric proves himself to be an intriguing new arrival on the 2019 Christian music scene. 8/10. Dave Deeks (October 2019)
ERIC LEE BRUMLEY : Electric Chair. (Old Bear Records)
I positively reviewed Eric Lee Brumley's debut album back in 2019 and described him as “an intriguing new arrival”. I was therefore keen to explore this follow-up which, it turns out, continues in the same uncompromising vein that made his first one so interesting. With his musical influences said to include “Elvis Presley, Motown, ’50s oldies, gospel, soul, and blues", Eric’s 'mini sermons' continue to bring his own special slant to the ccm music scene. There is no better lyrical example than the title track, which closes the album. This concerns a Christian criminal in his final moment alive in the electric chair, full of guilt and shame. “Right before the warden pulls the lever, Jesus Christ enters the room and replaces the criminal in the electric chair. Of his own will, Jesus sits down in the chair and takes the final of 3000 volts for the criminal”. The album overall is said to be “rooted in a recontextualized narrative of Christ’s act of atonement on the cross”. It is described as “an evangelistic record of blues, rock, and Americana Gospel songs” – and it is Americana that kicks things off with the heavy and raw opener 'Last days'. This leads into the gospelly/bluesy 'Share the load' (“let Jesus share the load”). The heavy rock of 'Job' is followed by Eric adopting Jeff Buckley-ish falsetto vocals for the slow and deliberate 'Red Sea'. The live straight rock of 'Iscariot' then leads into my standout track, the medium paced melodic rock of 'No rest for the wicked'. 'Whatcha lookin' for' is straight rock n' roll. The six minute bluesy heavy rock of 'Gimme the whole truth' (“not just a half truth”) drops back half way through to feature nicely played electric guitar then a repeat of Eric's effective falsetto, ending into a long fade. The similarly heavy “The one you couldn't have” is based on the story of Samson and Delilah and leads into the slow previously mentioned title track to close the album. Another intriguing one from Eric then, of particular appeal to those who appreciate their ccm somewhat raw and uncompromising. The weakest aspect for me has been some difficulty in always being able to follow the lyrics. A plus point however is that, whilst fairly compressed, sound is pretty good. As with Eric's first release, I'm happy to give it 8/10. Dave Deeks (July 2024)
Multiple Award Winner Eric Reverence returns with a new song that thanks God for the wonderful things He has done in his life. Based on Psalm 22, the track has a definite Afrobeat feel to it. Eric’s vocals are very smooth, backed by some lovely voices and simple percussion. “You’re my joy, you’re my peace; And my hope, I love you Lord,” sings Eric on this simple, but catchy, song of praise. A light guitar sound can be heard throughout without it detracting from the lyrics of the song. A delightful litte ditty, that I will certainly be playing again. 7/10. (June 2023)
ERIN O'DONNELL : A Scrapbook of Sorts. (Alliance : ALD108)
This is the lady who got her recording contract in a cyber cafe!
Sounding very much like Suzanne Vega, Erin takes you on a trip
around her life. "Be Still & Know" is not the chorus
song that many of us know, but a happy ditty that cheers you up
the moment you hear it. "I Will Trust in You" is a slower
track, complete with summery feel, but that happy feeling still
shines out. Looking back on your pre-Christian days, you may find
that God was there, even in the darkest of times. That's just
what Erin admits to on the classy "Even in My Youth".
She's the nearest thing to Amy Grant I've heard for some time
and the overall strength of the album is in it's simplistic but
memorable lyrics.
It's a good debut. 8/10. (August 1997)
ERIN O'DONNELL. "No Place So Far". (Myrrh : 080688605322)
I've got say that I can't make up my mind about this album. I've
listened to it a few times and find it infuriating to the fact
that songs which sounded good first listen leave me cold, while
songs that, at first, passed me by are now beginning to grow on
me. Take, for instance, the title track. Nothing special on first
time of hearing but, then, sounds totally different on second
listen. In fact, so much so that many listens later, I'm still
singing along! "Your Love Will Get Me There" is another
one, and I'm really beginning to like this one, too. Erin, herself,
has a voice that sounds a little like Sarah Masen but the songs
themselves are in the style of, say, Natalie Imbruglia. "There
You Are" tells that even if we wander off from Jesus, when
we return, He hasn't "moved an inch" and has His arms
are still open to welcome us back. Maybe I should have listened
to this album for a month or so before reviewing? There again…….7/10. (May 2001)
ERNIE HAASE & THE SIGNATURE SOUND : Glorious Day (Stow Town STR 3117)
Where have I been for the past ten years or so? Whilst southern gospel quartet 'Ernie Haase + Signature Sound' have evidently been around for this length of time and have released seventeen CDs and eight DVDs, this eleven track CD is my first experience of them! Settling down to listen for the first time and hearing it kick off with a male four part harmony vocal / big band arrangement of 'When the saints go marching in', I thought I knew what to expect for the next forty minutes or so. But no. Whilst there are common threads here, there is such a wide variety of styles that I'm not sure what to make of it! Common threads? The male gospel quartet, traditional/gospel lyrics, and lovely clean sound that shows many current releases how it should be done. Variety of styles? 40s swing, big band, blue grass, orchestra, guitar/acoustic, gospel, country/country rock/country pop, gospel rock. I fear that such variety may limit its appeal. And whilst those voices blend really well, when the bass takes the lead on 'Scars in the hands of Jesus' and 'Two coats' it exposes an excessive vibrato that borders on going out of tune. Interesting then, but no 'standouts' for me - and probably of limited interest, ironically as a result of trying to appeal to a wide audience. 6/10. Dave Deeks (October 2013)
ERNIE HAASE & SIGNATURE SOUND : Clear Skies – Live in Bossier City, L.A. (Stow Town Records),
If I didn’t already have my hands on this fabulous live DVD, it would certainly be on my Christmas list! “Clear Skies” the album, was released earlier this year to critical acclaim. This release gives you both songs from the album, plus extras on a 60 minute plus concert. Rarely have I witnessed such great voices on a Christian DVD, which starts with the exciting, title track. The groups harmonies are pitch perfect and bassman, Paul Harkey has the most wonderful tones you’re ever likely to hear. The words to “Give Me Jesus” were originally written by the great Fanny Crosby. Ernie Haase has now come up with modern music to accompany them, and the result is first class. The theme of the concert is unashamedly centred on God and Jesus, including the song “Sailing With Jesus” - living with Him by your side. If you’ve got problems or worries in your life, what better song to hear than “Give Them All To Jesus.” I wasn’t quite so sure about “Happy People.” According to Haase and the boys, God’s people “happy all the time.” Maybe I’m missing something there? However, song after song make great statements about our God and Saviour, and I found the whole thing, very uplifting. A nice touch on the DVD are the interviews with the group members. It just wraps up an almost perfect package. 10/10. (December 2018)
ERNIE HAASE & SIGNATURE SOUND : Keep On, Keeping On. (Stow Town Records)
Over the last few years, I’ve become quite a fan of Ernie Haase & Signature Sound. It’s not just the quality of their songs and voices, but there’s a real uplifting feel to their music. Their 2018 live DVD (Clear Skies) actually gave me a chance to view the boys in concert, and that blew me away. This new album provides more of the same, and neither the opening two tracks disappointed me. There’s, almost, a film score beginning to ‘Morning song’, while the bouncy ‘Good to Be Home’ gives you great feeling of joy. Meanwhile, the title track sees the great harmonies of this group, as they encourage you to ‘Keep on, Keeping On,’ in your life’s journey. ‘Terminal in the Sky’ sees them turn back the years, with a baritone led song that wouldn’t be out of place in a 1940’s compilation. The snappy ‘Ready’ (to do your will) only lasts two and a half minutes, but it’s ideal for radio play. Whether it’s slower songs like ‘Good Friend’ or the foot tappin’ ‘When We Fly Away Home’ Ernie and Signature sound deliver the goods. This is another quality release from one of the most popular quartets in all of Southern Gospel music. 9/10. (September 2021)
ERNIE HAASE & SIGNATURE SOUND and THE BOOTH BROTHERS : Brotherhood – The Live Tour Edition. (Stow Town Records)
This live release comes from two of the most beloved groups in Southern Gospel music. Their concert tour exceeded expectations with sell-out crowds every night, with this recording featuring Ernie Haase & Signature Sound and The Booth Brothers coming together in a more intimate setting to sing familiar songs. If you’ve not heard of these guys then, where have you been? With swinging tunes like “Life’s Railway to Heaven,” “Home” and “All the Gold in California” it’s a lovely way to begin the album. As you’d expect, the vocals are terrific, and the warmth that comes over from these guys is captured really well by the recording. “I’ll Fly Away” is quite a rockin’ tune, with some solo guitar added in for good measure, too. Giving tribute to gospel singer, Squire Parsons, there’s a beautiful duet version of “Sweet Beulah Land.” The sound is stripped back to just a piano and terrific vocal harmonies for the choruses. Downsides? Well, apart from the rather melancholy “Look for Me at Jesus’ Feet,” the only downside is that I wasn’t present at one of the concerts. If you want some spirit filled, southern gospel, this recording is for you. 9/10. (February 2021)
ERNIE HAASE & SIGNATURE SOUND : We Are the Church. (Stow Town Records)
Ernie and the boys are back again, with their first new music of 2024. The anthem, which epitomizes the group’s mission, sounds a clarion call for believers to stand firm in faith amidst worldly despair. Ernie says: “I came to the table with this idea a couple of months ago, troubled by the way things are trending in our culture. While it seems we’re all on edge these days and the future is uncertain, I want to remind my brothers and sisters in Christ that we’re not called to fight for an earthly kingdom. We’re here to promote an eternal agenda, one that defines who we are and Whose we are-bought by the blood of Jesus. Because of that glorious truth, we can weather any storm.” The harmonies are apparent from the start, as the group sing their reasons behind the song the title. A picked banjo sound is in the background, while keyboards, guitars and percussion provides the rest of the backing. Bass, tenor, whatever the lead vocal, the overall sound is great. As the song reaches halfway, the pace picks up with some bras sounds adding to the music. Yet another fine song from this group. 7/10. (March 2024)
ERNIE HAASE & SIGNATURE SOUND : Live in Memphis. (Club44 Records)
Ernie and the boys return with this live recording from the famed Memphis Quartet Show. With 23 tracks (including introductions) the group gets back to their traditional roots, reimagining and rearranging quartet classics from 1929 through the early 1970s. I must admit to enjoying their recent albums, so wasn’t too sure about hearing these old songs. Would they sound too dated? Well, the first couple of tracks did seem to compound my worries. But, ‘Swingin’ on the Golden Gate’ lifted my spirits, with a boogie-woogie feel. Super harmonies are on show with the gentle song called ‘Return,’ while there’s an uptempo beat to the happy sounding ‘He Made a Change.’ Tenor, Paul Harkey takes centre stage with the classic ‘Old Man River’ but I much preferred the lighter number ‘Over the Moon.’ The latter has really nice melody that features more, great, vocals. The audience are, obviously, lapping up the overall performance because, at times, you can hear them clapping along to the beat of the songs. Another bouncy number is ‘You’ll Find Him There,’ while the well-known ‘Put on a Happy Face’ also gets an outing. The inclusion of occasional, spoken, introductions do help to give the album listener a feeling of (almost) being at the live concert. I thought that was rather thoughtful. Giving a nod to those old gospel songs, Ernie Haase & Signature Sound present a skilled and loving presentation on this new album. 8/10. (December 2024)
THE ERWINS : What Christmas Really Means. (Stow Town Records)
Although a new release, this album appears to be a compilation of some of their previous festive recordings. But, if you’re like me, many of you will be hearing these songs for the first time. A plus point to any festive album for me, is the fact that only two of the usual, recycled hymns and tunes - “Joy to the World” and “O Come, O Come Emmanuel.” Standing proud amongst the other songs is “Good Will.” It’s really joyful number and shows off both the individual and collective voices of The Erwins. “Grown Up Christmas List” is sung in tenor tones but, unfortunately, there are no credits to indicate which of the two male members of the band gets the plaudits. Many of the southern gospel vocal groups seem to use big orchestral backing on their tracks, and The Erwins are no different. Certainly, on “His Name Shall Be Called” this is the case, with the music almost drowning out the vocals at times. Two songs focus on Jesus as a baby; “In the First Light” and “Ordinary Baby.” The former is quite nice, but I found the latter ballad, quite bland. The vocals were good, but the lyrics just seemed to meander along. Of the rest of the songs, I picked out “The Season of Love” for a mention. It’s quite a chirpy tune and centres on people giving from the heart, for that true Christmas meaning. Possibly a disappointing release for fans expecting something new from The Erwins but, for new listeners, a very pleasant festive album. 7/10. (December 2019)
THE ERWINS : This is Love. (Stow Town Records)
Texas-family group, The Erwins, return with 8 brand new songs on this studio recording. The opening “All of My Help” has already been released a single. The song showcases the great harmonies and lead vocals that The Erwins have become known for over the years. The following “Already on His Way God” features some good brass sounds, but it’s those harmonies, again, that are the highlight of “The Blood of Jesus.” It’s a country ballad, akin to the likes of Lonestar at their best, with a great orchestral production. Similarly, “The God I Know” is just as powerful, both in its lyrics and vocal delivery. As is often the case with gospel groups, I’m a little disappointed in an album that is so short in length. I guess, its quality that counts, as opposed to quantity. Certainly, most of the songs on show are of quality. “The Story Ends” has a radio-friendly feel about it, while the title track has a touch of latter-day Dolly Parton about it! Looking back, there was only one song that I wasn’t keen on, but what I did like, left me wanting more. 9/10. (May 2021)
THE ERWINS : Life Story. (StowTown Records)
This is the sibling group’s first full-length release in nearly three years. Produced by Wayne Haun, the album is a celebration of abundant life, featuring nine tracks brimming with joy and rooted in Hope. And, with that thought in mind, joy and hope is certainly at the fore of the opening track, ‘Taste and See.’ Led by a thumping bass drum, the accompaniment features some questionable brass sounds. What I mean is, that the brass is obviously provided by a keyboard, and not a good one at that! It rather spoils an, otherwise, good song. Witnessing for the Lord is the work of The Erwins, and this is celebrated in the ballad ‘None But Jesus.’ As ever, the vocal harmonies are first class. A stand out track for me is ‘Back to the Garden.’ Lead vocals are shared by group members, and there’s some really nice string crescendos during the chorus. ‘Red Words’ appears to be based on John 14, while God is praised for all He has done, on ‘Walking Free.’ Towards the end of the nine tracks, there’s a touching number called ‘I Only Have the Cross to Blame.’ The lead singer declares, “I’ve been rescued; I’ve been set free; There’s a new man where the old man used to be.” It’s a terrific song. Without it being an outstanding album, this release still carries enough quality for it to be welcomed by fans old and new. 7/10. (April 2023)
Esmee Kester is a Belgium based international gospel minister and Philanthropist. This single sees her music finding its way into the UK. The theme of the song centres around Jesus, of course. “You’re my love, my saviour; you’re the name above all names.” Yes, the lyrics are fairly predictable, but Esmee puts her own stamp on this gospel ballad. Vocal wise, I compared her to Tamela Mann, and she’s well backed by other singers. Musically, it’s well produced and the electric guitar is very good. I don’t think that the song will win any prizes for its originality but it is an enjoyable listen. 7/10. (March 2019)
ESSENTIAL CHRISTIAN SONGS Vol.2 : Let My Words Be Few. (ICC Records)
When reviewing Worship CDs I normally look for one of two things:
new songs and/or new arrangements. In short, something to justify
adding this CD to my non-trivial collection. This, however, doesn't
really fit, being more of a "greatest hits" kind of
thing - it doesn't need to add to the cannon, just collect together
some of the "best bits" (as the title "Essential..."
implies). So, is it? Well, all of the arrangements and performances
are very competent and clear (important if you're going to sing
along). However, it lacks energy, especially on "Did You
Feel the Mountains Tremble?". The more melodic stuff works
very well, though, such as "You Are My Portion" (a new
song to me, so passes one of my two Worship CD tests). Stand-out
track, though, is "Open the Skies" (not that I could
imagine our congregation singing it, mind) which has a wonderful
rhythm running around behind it (and some very subdued powerchords).
Essential? It all rather depends on whether you already have worship
CDs with these songs on. If you don't, then you could do a lot
worse than to buy this. Of course, you may already have done worse,
in which case this'd be worth getting so you've got some decent
versions of your favourite songs. 7/10. Paul Ganney. (January 2004)
The Essential Worship Chillout Collection. (Kingsway : KMCD2499)
The ever expanding range and style of worship albums released
shows no sign of abating and this one is quite a worthy addition
- taking a selection of popular songs and re-interpreting them
in a more atmospheric/ambient style designed to provide respite
from the pace and pressures of everyday life. Cool grooves abound,
and within that context the 10 songs chosen are a good selection,
with three in particular standing out for me: a great, laidback
"In Christ Alone", a surprisingly effective reggae version
of "Jesus lover of my soul" and a superb recording of
"Light of the World" which is more than a little reminiscent
of Right Said Fred, spoken vocal and everything. Not all the songs
are as effective as these, but none of them are ever less than
interesting, uplifting and (of course) relaxing, with some nice
variety in the vocals, sweet harmonies and simple arrangements.
Turn off the lights, close your eyes and go with it. You won't
be disappointed. 8/10 David Cooper (Jnaury 2004)
The Essential Worship Chillout Collection 2. (Kingsway : KMCD2603)
I've got to be honest. What I expected from this album, was to be able to sit out on a hot summer's day, and to reflect and meditate to the "chillout" tunes. Well, I gave up waiting for a hot summers day when I wasn't at work, and decided to listen to this album both at home, and in the car. The result being, I didn't feel "chilled out" in either setting. Sure, the music didn't pound your brain, nor did it ease my mind after a stress filled day. In fact, it reminded me of elevator and shopping mall music - the stuff that just plays in the background as you go about your day. I found most of the songs, like "Be Lifted Up" and "You Are My Passion" to be nothing more than just very ordinary songs, while the reggae feel of "God is Here" did raise my hopes. There's nice versions of "Beautiful Saviour" and "Outrageous Grace" but, I'm afraid, that the album just fulfill my expectations. 4/10. (August 2005)
Dawn Of Surrender' focuses on how we can trust God in times of overwhelm and distress, and is inspired by the words of Isaiah. ‘When you go through deep waters, I will be with you. When you go through rivers of difficulty, you will not drown. When you walk through the fire of oppression, you will not be burned up; the flames will not consume you.’ The chorus begins with imagery of fire, of chaos and of danger, but God turns those ashes into something beautiful. The song itself is a slow burning, song of praise, with Esther’s layered vocals providing great feeling. The music is predominantly comprised of acoustic sounds, with a cello (or possibly violin) giving an excellent tone all the way through. A really nice piece. 7/10 (March 2024)
This debut single from Esther Moore has been released in support of World Refugee Day, and is provocative call to love without condition and reservation. Of the song, Esther says; “The Answer was written from a place of deep wrestling. What is our response when faced with senseless violence and hate- filled attacks on innocents? The natural response is to react with fear and hatred of the individuals responsible and a desire to make them pay. My question, inspired by those who chose another way, was this: what would happen if we chose the most counter-intuitive, difficult and challenging response - and chose to love instead?” The song itself sees Esther with a vocal quality and delivery akin to that of Florence Welch. It’s lovely to be able to hear every word sung so distinctively, when many of today’s productions bury the vocals within a cacophony of sound. “Stand with one voice. Love is the answer.” What a simple message. 7/10. (July 2017)
EVA KROON PIKE : Christmas Revolution. (www.evakroonpike.com)
I’ve heard a few of Eva’s songs over the last year, and I’ve been quite impressed. This festive single is a happy sounding ditty, that has a great message behind it. Let’s forget all the hype about money and presents and focus on what Christmas is all about – the birth of our Saviour, Jesus Christ. There’s some jangly guitars playing throughout the song, and they carry Eva’s vocals superbly well. She sings about the Christmas Revolution that will bring peace, hope and joy to all. It’s a song that is easy on the ear, and very radio friendly. 8/10. (December 2014)
EVA KROON PIKE : Love is All About You. (www.evakroonpike.com)
Having been adopted as a child and brought up in a loving Christian home, Florida-based Eva Kroon Pike is a multi-instrumentalist as well as singer-songwriter. On first listening to this eight track EP I was reminded of Sarah Masen. Ms Masen burst onto the ccm scene in the mid 1990's with brilliant albums under the leadership of Charlie Peacock, bringing a fresh vocal style that has since been reflected by numerous other female vocalists – and these albums are still regular listens for me. Whether consciously or otherwise, the five upbeat contemporary ccm pop tracks here clearly imply such an influence – particularly on songs such as 'Not miss a thing' and 'Born to run' (not the Bruce Springsteen one!). Eva's delivery is none the worse for that however, and the three ballads in particular demonstrate a vocal ability of her own. Her lyrics also merit a mention – well-written, arising out of Eva's own personal experiences, with hooky melodies that sound attractive on first listen yet stand further attention. There really isn't a poor song here. Arrangements / production? Don Koch has done a great job, the only slight negative for me being some evidence of vocal effects/autotune. This is an excellent release, well recommended. 9/10. Dave Deeks (December 2014)
Songwriter and producer, Evans Ogboi may be a new name to some of you but, with songs like this one, he’s going to be known to many in the future. Think, Kirk Franklin meets Fred Hammond, and you’ve got an idea of what to expect. Backed by some great singers and musicians, Evans sings gospel soul with great feeling. “I am gifted for my purpose. Gifted for my purpose I am gifted, Gifted for Your plan.” The lyrics are repeated several times during the song, but this doesn’t detract from its power and appeal. “I Am Gifted” comes from Ogboi’s forthcoming Koinonia Album Project which was recorded Live at the Iconic City Gates Church in London, and I, for one, Can’t wait for that! 9/10. (October 2019)
Evans Ogboi, one of gospel music’s most dynamic voices, has released his latest single, “You Are Good,” a powerful song of praise that celebrates the unfailing goodness of God. Recorded live in London, “You Are Good” combines heartfelt lyrics and uplifting melodies to inspire gratitude and worship. Driven by some heavy drum beats, Evans declares his love for God, with some powerful vocals. He’s joined by a myriad voices, as the production increases. Lyric-wise, they are quite repetitive, but they suit the outpouring of praise and worship. Lasting only two and a half minutes long, it’s a short, sharp blast of energy. 7/10. (January 2025)
EVE SELIS : Dark Blue Sky. (Healing Hearts Music)
Written from real-life experience and raw emotion, Dark Sky Blue is the reflection and evolution of Selis’ life journey over the past several years and is a true labour of love. It shares a universal message and will speak to anyone who has experienced loss and pain. You can feel some of that loss in Eve’s vocals as she sings the title track of the album. Backing is provided by simple piano notes and some cinematic strings – all providing an excellent backdrop to the singer’s voice. ‘Monster’ has a throbbing bass line, with thee singer almost snarling her vocal delivery. It’s a very different sound to track 1. The theme of love, and its healing power, runs throughout the album. On ‘End of the Story’ Eve sings of being lost and alone, as well as broken and angry. It’s hard to believe but, there is always hope when love steps in. I liked the rippling keyboard notes on this track. ‘Breathing Underwater’ tells of suffocating under the weight of despair. Once again, love provides the answer with healing and freedom. There’s a similar feel to ‘There Will Come a Time’ and ‘Love Only Knows,’ too. A slight change in tempo comes with the electro-pop ditty ‘Waves,’ while ‘Grace’ plods along with an unimaginative drum beat. Eve says; “I wrote these songs in the darkest time of my life and with each song, God pulled me closer to the light until I was standing fully in it again. As you listen to each song, my hope is that you’ll find healing on your own journey back to blue skies,” Yes, it’s quite a personal collection of songs, but I think that Eve has succeeded in recording hope for all of us. 8/10. (May 2024)
EVERLIFE : Everlife. (Authentic : 7770292)
It must have seemed like a good idea at the time but to let these three girls try and sing rock songs was a big mistake. Let's face it, they just haven't got the vocal range to carry songs like "Heaven Open Your Eyes" and "Take A Ride". When they leave the rock sound behind, you do find their voices fitting well to the more pop orientated "I'm Over It and "Lead the Way". One of the three girls has a voice that sounds very much like that of Susan Ashton, and this really comes to the fore on the acoustic backed "Save Me" and "Set Me Free". Although I'm not slating the lyrical content, I did find the songs quite weak throughout. I'm afraid that this album would go down as just "another record" for me. 4/10. (May 2005)
EVERYBODYDUCK :Still Know How To Groove. (Diadem : 92193-1225-2)
With some zany humour and catchy lyrics,, this album starts off
really well with songs like 'Sunday Shoes' and the title track.
The former looks at the myth(?) that being a Christian is boring,
while the latter continues the theme explaining that "Yes
I have become a Christian but I still know how to groove".
It's these lighter numbers that give the album it's class, complete
with it's light rock feel. In between, the band get heavy and
the lyrics get lost in the overall production. 'Walk the plank'
and 'Closed Doors' are, in sound, reminiscent of 80's band Martha
& the Muffin's 'Echo Beach'. Not bad, but not the best. 5/10.
EVERYDAY SUNDAY : Wake up! Wake up! (Inpop Records : POD1406)
This CD is by four guys from Columbus, Ohio, and is an album full of no nonsense guitar led pop/rock songs. I think that this band sound more like a British rock band than an American one. In fact if this CD had come out in the late seventies or early eighties it would have probably have been filed under new wave. That's not to say that it sounds dated though, all the songs seem to be the kind of tune that sticks in your head after you've listened to them a couple of times. There is no let up at all in style or pace, right from the start of the first track with a guitar lick in the intro which reminded me somewhat of "Into the valley" by The Skids (If my memory is correct). A lot of albums that have no variation in pace tend to get me bored by half way through, but this one, it has to be said is an exception. The songs are all well performed, and each one of them stands up on it's own. There isn't anything bad to say about this CD. I reckon that this is an American band that could do very well over here, if they get the chance to be heard that is. If you get the chance to pick up a copy of this CD get it. 10/10 Andy Sayner. (January 2008, Album of the Month)
EVERYONE : Everyone. (Furious Records)
This four piece band from California bring guitar pop back to
the fore with a sound that is reminiscent of label-mated Delirious?
Well, perhaps that isn't such a surprise, as singer Jeff Searles
1995 album "Inside Me" was produced by Martin Smith.
However, there's more to this band than just being a cloned copy.
Okay, so the title track could well be the D-boys in disguise,
it's still got some great lyrics and super guitars. "Lovely
Way" is a bit more melodic - "like Travis", my
better half says. Searle's vocals are good all the way through
and he's at his best on the rockier numbers. "Thank you",
"Jesus Saviour", and "Crazy" reach out as
"up and at 'em" praise, but I personally found "Only
for You" to be a little bit too heavy and over the top. Lots
of good things to come out of this album, so give it a try. 9/10. (May 2003)
EVVIE McKINNEY : Church. (Capitol CMG)
Promoted as a summer anthem, this song is all about starting your week right at church, no matter how that may look for you. There’s a mix of gospel and RnB about the tune. With handclap beats, plus various string sounds on show, too. While, a choir vocally backs Evvie, she sings; “When the bells start ringing; And the choir starts singing; The Preacher starts preaching; I know I’m home.” The chorus bangs in loud and proud, as Evvie continues with “Take me to church!” For me the overall tone of the song sounded a little dated. From the press release, I was expecting to be more excited by the song. Somehow, it just didn’t quite live up to those expectations. 5/10. (July 2022)
EVVIE McKINNEY : Love. (Capitol CMG)
I usually listen to a release without any research and then dip into the internet as I go through, if I want a bit more detail. This review is on that basis, Evvie is not an artist that I was aware of, so I had no knowledge of her history which (for me) is a good way to listen. Therefore, I can focus on therelease in question, and not a person’s history of reputation. I listened to ‘Church’ and my thoughts were, this is pop/modern Gospel mixture. Then I got to the bridge. As someone who doesn’t really settle when I am out, if I go to a concert I am watching what is happening with the sound, the crowd and the reaction of others. This is due to me putting on so many concerts and tours. I look for things going wrong. The bridge spoke directly to me ‘When the bells start ringing, when the choir starts singing, the preacher starts preaching I know I’m home’. Home for me is special, any song about going home gets to me (Paul Poulton’s Fire tonight or Lindesfarne’s Run for home being the best examples that come to mind). So, when Evvie sang that I felt comfortable knowing she felt the same. Sorry I digress! Is this a review or a book!! Listening to the backing tracks I enjoyed the construction, a full sound. I love the brass arrangement on ‘This House’, as well as the breakdown before the final verse and chorus, that brings back the vocals and the message being put across. ‘Look No Further, has a slight change of direction which is absolutely right for radio. Evvie’s amazing voice really shines out of this song, I was singing along - which is not like me. ‘Satisfied’ is a duet with Dante Bowe which is really good. There’s a clear message, and as a musician, I really wanted to play along with this one! The guitar work on ‘I Can Do All Things,’ ‘Just Like God’ ans ‘Do It Again’ is just stunning! This release is really good. The production and arrangements are well balanced, the vocals superb and the lyrics well written. Consisting of gospel, soul, funk, there’s also a touch of blues here and there. Listening to this album, the title of track 9 sums me up perfectly - I’m ‘Feelin’ Good.’ 10/10. Noel Donaldson. (November 2022, Record of the Month)
EVVIE McKINNEY : Don’t Walk Away. (Capitol CMG)
A couple of years ago, NFN awarded Evvie’s ‘love’ album a 10/10 rating. So, with that in mind, I was hopeful of a great listen with her latest single. There’s an instant RnB feel that comes through in a Beyonce style. It’s a mid-paced number were Evvie sings of living in a crazy world. She combats this by declaring that she’ll never gonna walk away, and that she’ll hold on to the love of Jesus. It’s a sub-three minute track that floats along nicely, without it being anything spectacular. 6/10. (January 2025)
EZRA WORSHIP INITIATIVE: You Speak. (NRT Music)
This new album collects songs written by this past year’s students attending Ezra Worship Initiative, a 10-week seminary-based internship designed to develop young worship leaders with strong biblical theology, leadership skills, and musical excellence. The question I asked myself before listening was; “Would the type of music be any different to that churned out by similar groups?” If the opening ‘Song of Ages’ was anything to go by, then I would be positively surprised. A really clean production, was backed by clear vocals and a snappy tune. The title track is just as good, but in a slightly slower tempo. Instrumentation is crisp in sound, and gives just the right amount of backing to vocals, were you can hear every word without straining. I loved the pop style of ‘Who You Are,’ which tells of God’s love, grace and power. The fresh sounds continue with ‘Confidence’ and ‘With Me,’ the former benefitting from a lovely guitar intro. The chugging rhythm of ‘Holy God’ works well, while ‘You are More’ is, probably, the most powerful sounding track. Closing with the touching ‘Cherished Cross of Christ,’ I’m pleased to report that this album contains some really very good songs of contemporary praise and worship. I make no apology for saying that the overall production is some of the best I’ve come across in recent times. Well worth a 9/10. (April 2025)
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